Word: orson
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Dates: during 1970-1979
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...cinematically in ever deeper focus shots that oppress Welles ever smaller, ever less impotent and more isolated within the frame. Don't waste your time wondering about Rosebud (it is the name of his sled. Lost innocence, get it. Right, the only woman he ever loved was his mother). Orson Welles...
...become the outcast; on the run, a wanted man, his record becomes a super hit; a doomed man, he reaps a martry's glory--at this point the movie gets boring--he makes fools out of the cops a bit longer and then gets shot up on the beach. Orson Welles...
Bonnie and Clyde. It made a bloody splash when it came out, but all its blood must be old hat by now. Faye Dunaway talks tough, Warren Beatty thinks with a soft brain, C.W. Moss steals the show. Orson Welles...
Performance. With Mick Jagger. An overdone display of far out paraphernalia; it is packed with easy plays for sensationalism, but they are old. And except for Jagger in a Batman black skin suit, it is boring. Orson Welles...
...least you could do to advertise your affection for the movie moguls' latest packaged form of loyalty to the public upon which they depend for making movies. The Cambridge films may not be the most Now thing on the movie market, but they are rich in movie classics. The Orson Welles (1001 Mass Ave.) contains a film school and a restaurant, aside from its two theaters. Pick up a schedule because the Welles holds week long festivals at least one of which will be worth planning ahead for. Cambridge's other three theaters--the Brattle, the Harvard Square...