Word: orson
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Dates: during 2000-2009
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Sasha was not a normal kid. His parents told me he was a genuine child genius. Spoke three languages, did 12th-grade math, played violin and piano - if you read Orson Scott Card's Ender's Game or saw Little Man Tate, you know the type...
...interesting early life. He was a highly motivated child who had to work hard to get an education during the Depression and World War II. In fact, a number of childhood coincidences seemed to destine him for greatness. Not only was Watson a not-too-distant cousin of Orson Welles, he also played handball on a field at the University of Chicago that covered the lab where researchers were developing the atomic bomb. In Watson’s adult years, he made good on his early promise, using his education to rise to the top of the American science scene...
...works seriously. Along with Jacobi and Rylance, signatories include Charles Champlin, the former L.A. Times arts editor; Michael Delahoyde, an English professor at Washington State University; and Robin Fox, professor of social theory at Rutgers University in New Jersey. Some more famous names, like Mark Twain, Charles Dickens and Orson Welles, also lent their posthumous support in a list of people who expressed their own doubts about the Bard when they were alive. (See TIME's photo-essay "The Royal Shakespeare Company's Complete Histories...
...Griffin's show moved from syndication to CBS (where he challenged Carson head-to-head for a short time), then back to syndication, where he became a daytime staple until 1986. His guests were an eclectic mix of singers, comics, authors, occasional politicians - and Orson Welles, his favorite guest, whom he had on nearly 50 times. His gushy style - leaning heavily in on his guests, responding with a fervent "oooohhh" for each innocuous comment - inspired one of Rick Moranis's great running impressions on SCTV. It was parody borne of affection, not derision...
...superiority of television. Radio sales had plummeted and periodicals issued story after story describing the plight of the beleaguered radio industry. Film and television had co-opted radio technology to move past the silent film era and into a new age of sync-sound entertainment. Why listen to Orson Welles narrate an alien invasion when you can watch Tom Cruise stop one?Instead of continuing to use the live music format that most stations have been using since the late 1920s, radio began to turn back to the recorded album in an attempt to save itself. At first, it seemed...