Word: orson
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...sticky floors, drunk athletes and the tricks that want them. It’s so awesome, it will probably never close (495-9666; M-Th noon-1am, F-Sa noon-2am). Casablanca is a trendy bar located below the Brattle Theatre and decorated with a mural from the classic Orson Welles film (493-6617, M-Sa 10am-1am). The Hong King is a den of sinful pleasures and dumplings. Try the legendary “Scorpion Soup” for an alcoholic treat (Th-Tu 493-7191, (617) 12pm-2am). Also, there’s an awesome party in Thayer...
That film audiences ever got to see Citizen Kane at all is no small wonder in itself. That the film was made by a 24- year old theater phenom, Orson Welles, who had never sat behind a camera in his life, makes it truly miraculous. Welles based his narrative on the life of newspaper tycoon Randolph Hearst, who blacklisted Welles for the rest of Hearst’s natural life. The film’s original print was saved from destruction several times and, at Hearst’s threats, Citizen Kane was banned from all but one movie house...
...part about this is that in the cases where Jeffry stretches the medium, she achieves absorbing results. One of her most famous photographs, a hyperbolically grainy picture of Orson Welles as King Lear, stands out. A double exposure of the guitarist Sharon Isbin superimposes the guitar on her hair in a manner that, if not entirely original, is pleasing. Perhaps the most enigmatic image of the show is a distorted portrait of Attilio Pierelli, an Italian sculptor, poet, playwright and dentist, shot at an exhibition of his at the Zabriskie Gallery in New York. But these are scattered without effect...
...watches or get out of bed.") In "Theatre of the Imagination," an engrossing radio tribute on the 50th anniversary of the Mercury ra-dio program, Richard Wilson says he can?t remember a Mercury play that opened on schedule. "Radio was the only medium that imposed a discipline that Orson would recognize," Wilson says. "And that was the clock. When it came time for ?The Mercury? to go on the air, there was no denying it... That red light would come on and say, ?On the Air.? And good or bad, right or wrong, that...
...stopped. Suddenly out of chaos, the show emerged - delicately poised, meticulously executed, precise as clockwork, smooth as satin." No one doubts that the show?s success was due to the commanding, seductive man standing on a platform above all the rest. "At the start of every broadcast," Herrmann recalled, "Orson was an unknown quantity. As he went along his mood would assert itself and the temperature would start to increase till the point of incandescence... He inspired us all - the musicians, the actors, the sound-effects men and the engineers. They?d all tell you they never worked on shows...