Search Details

Word: orson (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Ticket to Heaven--Thursday at 2, 4, 6, 8 and 10 p.m.; Orson Welles Cinemas...

Author: NO WRITER ATTRIBUTED | Title: cambridge | 10/29/1981 | See Source »

...Harder They Come and Ladies and Gentlemen, The Rolling Stones--Friday and Saturday at 12:10 a.m.; with Richard Pryor Live in Concert at 12:15 a.m.; Orson Welles Cinemas

Author: NO WRITER ATTRIBUTED | Title: cambridge | 10/15/1981 | See Source »

...sure there is a 'fat list,' perhaps even written down, that producers consult. You like to think you're hired strictly for your abilities, but I know my size has gotten me jobs." Among actors who might be on any producer's list: Orson Welles, an epic creator who is known to the television generation as the butt of Johnny Carson's fat jokes; William Conrad, TV's Nero Wolfe; Raymond Burr, old Ironside; and Burt Young, the Gibraltar of Rocky. Perhaps the most stereotyped of all is Victor Buono. Fat from childhood, Buono...

Author: /time Magazine | Title: Show Business: As a Matter of Fat . . . | 8/3/1981 | See Source »

PREDICTION: I Sent A Letter to My Love will show at the Orson Welles for months. It is that type of film--unambitious, unchallenging, very pretty and quite small. Though it succeeds nicely, it puts on few airs, simply because it has no cause to. Designed as a vehicle for Simone Signoret (best known recently for Madame Rosa); this is the story of an aging spinster who lives with, and cares for, her wheelchair-bound brother, Gilles. Grouchy, though affectionate toward each other, their life seems as cold and sterile as the craggy Brittany coastline that Gilles (Jean Rochefort) perpetually...

Author: By William E. Mckibben, | Title: Postage Due | 7/3/1981 | See Source »

...dialectic, and wherever Beaumarchais' introduces a didactic speech. Epstein finds ways for his characters to deliver it naturally. Each character, in turn--except the Count--gets to spout off about his oppression; and those who believe women's issues are a 20th-century invention will note that Marceline (Barbara Orson), who starts the play as Figaro's nemesis, offers a sympathetic monologue that we can only call feminist...

Author: By Scott A. Rosenberg, | Title: The Trouble of Being Born | 5/18/1981 | See Source »

Previous | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | Next