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...Sorry Peggy," Moore interrupted. "And let's go now to a man who's probably played a lot of hockey himself, the indescribable Orson Bean...

Author: By Mike Bass, | Title: To Tell the Truth | 2/12/1981 | See Source »

...witnessing not only the ravaging of their landscapes but also the destruction of values that they cherish: the unhurried pace of traditional Western life, the neighborly feeling of the small towns and above all the sense of individual independence. "There's a way of life disappearing," says Orson Rollins, 69, a retired rancher who now operates a service station in Craig, Colo. "We never used to lock our doors. That's gone." Says Postal Clerk Helen Stout, whose onetime sheep town of Parson, Wyo., is now filling

Author: /time Magazine | Title: Rocky Mountain High | 12/15/1980 | See Source »

...particularly angered by Humanoids, and I asked an Orson Welles staff-member, who claimed to be soliciting feedback, why the film had been programmed. He seemed genuinely puzzled by my outrage, and pointed out that, in terms of audience reaction, it had been the most successful film of the marathon. "And the ending," he said. "Everybody loved the ending...

Author: By David B. Edelstein, | Title: The Monsters Within Us | 9/15/1980 | See Source »

...Suddenly the young mother shrieks, throws back her head; there is a ripping sound and her abdomen bursts; blood spatters everywhere, pouring from her mouth as she manages to die; and a little humanoid pops up and snarls into the camera. Blackout. Music. Wild laughter and shrieks in the Orson Welles Cinema. Thunderous applause...

Author: By David B. Edelstein, | Title: The Monsters Within Us | 9/15/1980 | See Source »

PEOPLE HAVE ALWAYS denounced the horror genre as sexist, racist, sadistic, whatever, but that attitude has always struck me as priggish and unimaginative. At least until I sat through 12 torturous, claustrophobic hours at the Orson Welles and realized that even I--a horror buff since age six--had my limits. (The marathon did, incidentally, feature three superb films: Georges Franju's Eyes Without a Face, Peter Bogdanovitch's Targets, and Terence Fisher's Frankenstein Created Women, the latter boasting a marvelous performance by the superlative Peter Cushing.) I haven't lost faith in the form: horror has traditionally brought...

Author: By David B. Edelstein, | Title: The Monsters Within Us | 9/15/1980 | See Source »

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