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...pleasure no sane person refuses. And Criterion's package is particularly rich with extras. In addition to footage from the 1941 Academy Award ceremony, where Rebecca picked up Oscars for Best Picture and Cinematography, the disc's extras include three one-hour radio adaptations, among them one by Orson Welles, and footage of the screen tests for Joan Fontaine, who won the starring role of the second Mrs. de Winter, opposite Laurence Olivier, as well as for also-rans Anne Baxter, Margaret Sullavan, Loretta Young and Olivier's then-wife Vivien Leigh...

Author: /time Magazine | Title: A Criterion Top 10 | 11/10/2006 | See Source »

...ARKADIN: A.K.A. CONFIDENTIAL REPORT, Orson Welles...

Author: /time Magazine | Title: A Criterion Top 10 | 11/10/2006 | See Source »

CITIZEN KANE ORSON WELLES...

Author: /time Magazine | Title: 7 Top Political Movies From Seven Decades | 10/29/2006 | See Source »

...reason to suppose that they were deviously protecting a psychotic murderer. Nor is there any reason to imagine that the criminal was socially well connected or was a Hollywood type (even though a preposterous rumor, repeated dismissively in a recent biography, put no less a figure than Orson Welles under suspicion). The likelihood is that this was one of those dreadful crimes that emerge from the psychopathic minds and was in no way motivated by general social conditions or, indeed, by anything-other than perhaps a chance encounter-that was deeply woven into poor Betty Short's brief, sad, agonizingly...

Author: /time Magazine | Title: Review: The Black Dahlia | 9/15/2006 | See Source »

...Alton-Mann films - T-Men, He Walked by Night, Reign of Terror, Border Incident and Devil's Doorway - are unlike any other noirs in their visual density and tonal texture. Like many movies in the genre, these are indebted to the look that Orson Welles and Gregg Toland created for Citizen Kane: chiaroscuro lighting, characters in extreme closeup or long shot, and plenty of low-angle shots. Alton pushed these tenets further than most. He shot even the sitting figures from below, with the tops of rooms pressing down on them; he loved ceiling shots more than Japanese tourists...

Author: /time Magazine | Title: The Best Mann | 7/28/2006 | See Source »

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