Word: orsones
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...read the piece, shuddered, then ran my eyes back over it, hoping to find a mention of cancer or some other dread affliction. No such luck. Fuentes was apparently referring to his age. I am 57 and feel happy and horny. Don't do this to me, Carlos. ORSON BEAN Venice, Calif...
...hero always won. In international politics, though, that elegance disappears. Too many cooks? Try too many allies. The common enemy suddenly gets complicated. The Third Man (1949) knows this. A film noir with real profundity, the movie is home to one of moviedom's great villains: Harry Lime. Yet Orson Welles' performance is very nearly secondary; Harry Lime is a creation of his American friend (Joseph Cotten), his lover (Alida Valli), his pursuer (Trevor Howard). Of the Americans, the British, the Russians, the French. And they're all tripping over themselves...
What is to be Done continued to expand its listings and attract advertisers. By the end of the seventies, the magazine had published countless roller-disco promotions as well as interviews with Robert Altman, Eugene Ionesco and Orson Welles...
...Thing, homoerotic love is merely a mistake. Olivia the vamp falls in love with Viola-as-Charlie purely by accident, and Sebastian-as-Charlie steps in soon enough (earlier than in Twelfth Night) to rescue Olivia from the realization that she was really in love with a girl. Orson becomes aware of Viola-as-Charlie's affection for him and paces across the stage reading Freud aloud to clarify his feelings toward Charlie. The problem isn't in the performance--Ruiz plays Orson very well as a corny, unhip '70s throwback--but rather in the script. When Orson decides...
...band "Charlie" joins. The band, The Apocalypse, composed of War (Michael Davidson '00), Famine (Eric Fleisig-Greene '01) and Death (James Chakan '99), is obviously modeled on the angst-ridden, death-obsessed hard-rock bands of the '80s. They were a fine Three-Stooges trio of sorts, mocking everything Orson said with an entertaining mix of slyly witty allusions and slapstick humor. Their kazoo version of a Corelli fugue was one of the show's highlights, provoking a spontaneous ovation from the opening-night audience. Davidson's War and Fleisig-Greene's Famine were especially outrageous and Chakan's Death...