Word: orthodox
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Dates: during 1960-1969
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THOUGH nobody planned them that way, the shows resonate with one another. They assert how we see and have seen-over the best part of a millennium, and right at this moment. The assertions are sometimes disturbing. Munich: 396 icons, barbaric gemstones strewn across the velvet sophistications of Orthodox theology. Brussels: three Bruegels newly cleaned to support a reflective commemoration. Amsterdam: 24 matchless Rembrandts, the best from each of 21 collections the world round. Paris: 304 Giacomettis, shyly revealing beneath surfaces textured like used chewing gum, a tender-hearted portraitist...
...sight of God. The flight to Munich leads to a world of luminous order at the Haus der Kunst: icons from the 13th to the 19th centuries, from Greece, Crete, Czechoslovakia, Rumania, Bulgaria. How can God, whose sight no living man has endured, be representable in a picture? The Orthodox were fundamentalists about that evident problem, but subtle ones: as the impression is to the seal that makes it, as the body to the soul, as the accidental to the essential, they reasoned, so the representation is to the spiritual reality...
...JUDAISM: Emerging from the ghetto in the past century, Judaism set up its rabbis in the prevailing Christian style as remote religious functionaries. Many Jews are now trying to reinstate the traditional role of the rabbi, which, as Orthodox Rabbi Joseph Karasick points out, is to be "a teacher, guide and judge, integral to the community." In emphasizing the classic concept of the rabbi, the three U.S. branches of Judaism may grow closer together...
...Pope Paul VI visits Holy Land, gives symbolic embrace to Orthodox Ecumenical Patriarch Athenagoras...
Perella is not happy with Castiglione. He sees him as a sophist who robbed love of the more highly charged and riskier mysticism of earlier, passionate orthodox kissers. In fact, after dealing with Castiglione, Perella registers a marked decrease in ardor for his major subject. The concluding chapter on the Baroque end of the Renaissance is not much more than a listless compilation of variations on kissing themes embellished with poetic examples. It is almost as if the professor had tired of cultivating his index cards and longed to be out doing field work...