Word: osaka
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Legacy of Suspicion. At Osaka, Garcia delivered his message to Japanese merchants: "Among Japan's underdeveloped neighbors, the wounds of battle have not been completely healed. We know the most effective way to wipe out the legacy of suspicion and hostility is for Japan to extend them credits...
Matsushita himself came up by frugality and work that was hard even by Japanese standards. Born in Osaka, son of a merchant who lost his kimono selling rice, Konosuke quit school in the fourth grade to go to work in a bicycle shop. At 17 he saw the electric streetcars come in. concluded the future lay in electricity, got a job with the Osaka Electric Light Co. His lack of education blocked promotion, so he saved and borrowed $98 to open a factory in his home...
...Lederle Ltd. as an outlet for meprobamate (best known in the U.S. by its original brand name, Miltown). But no patent claim had been filed, and the vacuum was quickly filled by Japan's highly competitive drugmakers-concentrated on a narrow street called Doshomachi in Osaka, around a shrine of Yakusoshin (an ancient god of drugs). By December, Daiichi Seiyaku was on the market with its own brand of meprobamate, called Atraxin. Lederle Ltd. put out Miltown. Takeda competed with its own corporate offshoot by pushing Harmonin...
...more. Atraxin leads the field with 1957 sales of $1,250,000; next comes Harmonin, then Equanil; the old original Miltown is fourth. It is priced at ten tablets for 83 ?; most home-grown Japanese brands are twelve tablets for 56?, but they are only half as potent. Osaka manufacturers have tried to convince consumers that "because Japanese are smaller and weigh less than Westerners, they need only a half-size tranki." Then, working both sides of the street, they blandly urge buyers to take two tablets, three or four times a day. Some...
...they are not in the hands of the Japanese sandman. Yet Junichiro Tanizaki, 71, is one of Japan's leading novelists, and this book, written a decade ago, is a neat compendium of what is best and worst in contemporary Japanese writing. Esoteric discussions of Tokyo v. Osaka folkways lead imperceptibly to the dramatic outer and inner conflict of a Japan in transition. The core of meaning, which the Westerner will perhaps find hard to penetrate, is the concept of a heroism that never indulges in triumphs of the will and Promethean wrestlings with destiny, but bends...