Word: osanna
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Dates: during 1960-1969
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...sing, and conductor Elliot Forbes took advantage of the situation to reveal a dynamic power and expressiveness that no one who heard the first half of the concert would have guessed the singers possessed. Particularly striking were the crescendo-decrescendos in the Sanctus, the contrasts in the Benedictus "Osanna in Excelsis," and especially the pianissimo "Dona Nobis Pacem" in which the singers produced one of those beautiful, sensuous sounds that are pleasurable in themselves, independent of melodic or harmonic movement...
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