Word: oscared
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Dates: during 1990-1999
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That hit comedy--which won Murphy the year's Best Actor award from the National Society of Film Critics and, in a just world, would snag him an Oscar nomination--was like a great date with an old lover fresh from rehab. Eddie was once again cute, dazzling, working overtime to please. Relocating his strength as a mimic, he played seven characters, all brilliantly. The one unattractive figure, Buddy Love, was a wicked stretch of the Eddie Murphy personality that moviegoers had tired of: sleek, preening, abrasive, an overdog in love with itself. The other characters were marvels not just...
...founders of Ms. and Penthouse magazines have both seen fit to attack The People vs. Larry Flynt, Milos Forman's critically praised film (Oliver Stone is a producer). Steinem and Guccione's beef--part of a growing backlash that may end up denying the film its expected handful of Oscar nominations--is that the movie, in its efforts to plump up Flynt as a First Amendment hero, sanitizes the gamier aspects of his life and work as the creative force behind Hustler magazine. "Larry Flynt the Movie is even more cynical than Larry Flynt the Man," Steinem wrote...
MOVIES . . . HAMLET: "If Kenneth Branagh doesn?t win an Oscar for his four-hour, uncut ?Hamlet,? " says TIME's Richard Corliss, "he should at least cop a Chutzpah Award." Here's the most eclectic cast in movie history -- Julie Christie, Billy Crystal, Gerard Depardieu, John Gielgud, Rosemary Harris, Charlton Heston, Derek Jacobi, Jack Lemmon, John Mills, Robin Williams, Kate Winslet and the Duke of Marlborough, to name but a dozen -- in the second longest film released by a major studio (after ?Cleopatra?). To his credit, the actor-director-adapter approached this job not as a solemn duty or an egotistical...
...have been dead for 15 years. Worthy organizations like the American Foundation for AIDS Research and Gay Men's Health Crisis (G.M.H.C.) own buildings with serenity gardens, and the red ribbon symbolizing AIDS awareness appears on mugs, Christmas-tree ornaments and beach towels while remaining a fashion challenge for Oscar-night actresses in strapless gowns. Elizabeth Taylor and Sharon Stone impressively share the fund-raising crown; Sharon was barely a B-movie starlet when the epidemic began. AIDS awareness has become ubiquitous, and the possible new breakthrough in protease cocktails has somehow become a component of the AIDS industry--perhaps...
...people of color in the supporting cast. And of course the black actors don't get to play anything so interesting as a villain. Goldberg has to fashion Myrlie into a plaster saint, smothered by reverence, while Woods, snorting some invisible snuff, can have fun and lock up an Oscar nomination. Ghosts of Mississippi argues fervently for racial equality in the New South; yet in its perpetuation of the caste system in Hollywood dramas, the film is anything but an affirmative action...