Word: oscarization
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...like a Da Vinci Code with fewer chase scenes, Lehane's story was devised for the page, not the eye. Yet its psychological twists and the sense of emotional despair at its core were bound to attract moviemakers. It landed a big one: Martin Scorsese, fresh off his belated Oscar win for The Departed, the 2006 thriller starring DiCaprio as a cop with a double identity. (See the top 10 Sundance film festival hits...
...version of a Hong Kong cop movie. Now Scorsese has taken on psychological horror, adding a filigree of frissons from Stanley Kubrick's The Shining and Val Lewton's artful B movies of the 1940s to Lehane's already dense thicket of chills and tricks. (See the top 10 Oscar-nomination snubs...
Among films in limited release, Roman Polanski's favorably reviewed thriller The Ghost Writer took in $870,000 on just 43 screens. But the big race, not so much at the box office as in this week's Oscar pools, was between two nominees for the foreign-language Academy Award, both of them released by Sony Pictures Classics. A Prophet, Jacques Audiard's French prison drama, opened to a decent $170,000 in nine theaters in New York and Los Angeles, while Michael Haneke's The White Ribbon made $168,000 in its ninth week of limited release. That movie...
...came in second. Haneke's picture is high-brow caviar, while Audiard's is more a crowd pleaser. On Saturday, The White Ribbon won the top award from the American Society of Cinematographers, beating Avatar, The Hurt Locker, Inglourious Basterds and Nine and solidifying its chances to win the Oscar in this category. Ah, but a week ago, at the British Academy of Film and Television Arts Awards, A Prophet beat The White Ribbon for Best Film Not in the English Language. (See the top 10 Oscar-nomination snubs...
Which of these estimable works will take the foreign-language Oscar? It's a toss-up, and there's always the chance that a dark horse will win. But for the moment, The White Ribbon and A Prophet are the Hurt Locker and Avatar of foreign-language films. And both will be remembered, at least among the cognoscenti, long after Cop Out and The Crazies hit the DVD remainder bins...