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Word: oscars (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...never your old car," giggled Marilyn after she had made a successful New Jersey nightclub debut preparatory to a Las Vegas gig. Meanwhile, Old Car Lovelace was making the grade quite nicely without Chuck. In Cambridge, Mass., she was awarded the Harvard Lampoon's "Wilde Oscar" for risking "worldly damnation in the pursuit of artistic fulfillment." Then she returned to rehearsals for the national tour of Pajama Tops, a bedroom farce in which she will make her legit debut on Christmas...

Author: /time Magazine | Title: People, Dec. 17, 1973 | 12/17/1973 | See Source »

...arranged: five top French couturiers, including Pierre Cardin and Hubert de Givenchy, would reach across the Atlantic to Halston, Anne Klein, Oscar de la Renta, Stephen Burrows and Bill Blass. Together they would have a ball scarving, belting, bigskirting or otherwise adorning the likes of Liza Minnelli, Josephine Baker and Capucine. The performers, together with ordinary mannequins, would stage a kind of high-budget vaudeville called "Le Grand Divertissement à Versailles." The money? Ah, yes, patrons like the Baroness Marie-Hélène de Rothschild would angel the operation, and people like Amanda Burden, Princess Grace, the Charles...

Author: /time Magazine | Title: Modern Living: Franco-American Follies | 12/10/1973 | See Source »

PICKING UP ENERGY as his characters, Max von Sydow and Liv Ullmann as Karl-Oscar and Kristina Neilson, took life, Troell detailed the tough choices and sacrifices, the illnesses and griefs that propelled the group to the Promised Land. Despite the ambivalent picture he painted of the passage into Canaan. of the hostile reaction these immigrants of the mid-1840s encountered in America, Troell brought The Emigrants to a climactic affirmation as Karl-Oscar blazed the boundaries of his new farm by the shores of a Minnesota lake...

Author: By Steven Reed, | Title: The Promised Land | 12/6/1973 | See Source »

...edited the film, creates a world that rings true both as history and as cinema. His soft colors and elegant camerawork belie a willingness to experiment for chilling or striking effects such as the visual echo of quick cuts which shatters the silence of the forest when Karl-Oscar's younger brother Robert shoots what he believes is an Indian warrior. In his control of natural images, his imagination and sense of the complex relations of individuals to social processes, Troell comes closer to Bergman than any other current director. He edges near the best Faulkner, imaginatively recreating a history...

Author: By Steven Reed, | Title: The Promised Land | 12/6/1973 | See Source »

...DELINEATES the central, original crack in the innocence myth--the new land was stolen from Indians who were hanged or murdered for trying to retake it. Troell does not blame the immigrants for a situation they did not create ("I paid a fair price for the land," says Karl-Oscar). The Indian dilemma is a symptom of the wider problem that underlies the history of the immigrant experience. At the center of the quest for the immigrant dream is a hollow place, born of the loss of the old home and bred of the sacrifices that...

Author: By Steven Reed, | Title: The Promised Land | 12/6/1973 | See Source »

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