Search Details

Word: oscars (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
Sort By: most recent first (reverse)


Usage:

DIED. Philippe Noiret, 76, one of France's most esteemed actors, who lent an earthy, avuncular charm to more than 125 movies over a half century; in Paris. A two-time winner of the César award (France's Oscar), he gained global fans as a weary film projectionist in 1988's Cinema Paradiso and as the poet Pablo Neruda in the 1994 hit Il Postino...

Author: /time Magazine | Title: Milestones Dec. 4, 2006 | 11/26/2006 | See Source »

...screenings. The film was dismissed as an expensive waste of time (although another high-IQ sci-fi epic shown at Venice, Alfonso Cuaron's dystopic City of Men, was reported to have cost between $80 million and $150 million). Weisz, who earlier this year received a Best Supporting Actress Oscar for The Constant Gardener and became a mother, seemed equally maternal in defense of her new movie. "I think it's wonderful that this film is so different," she told the press. "I would love to work with Darren again." (She'd better say that. Weisz and Aronofsky live together...

Author: /time Magazine | Title: I Admit It: I Liked The Fountain | 11/22/2006 | See Source »

...going to let your Oscar date wear diamonds next year...

Author: /time Magazine | Title: Q&A with Leonardo DiCaprio | 11/22/2006 | See Source »

...happen - nobody made them, you know?" he told John C. Tibbetts for a 1992 profile in the Salisbury State University Literature Film Quarterly, "And I guess that's the way I still see movies - I want them to be occurrences, to just seem to be happening." In his Oscar speech, Altman compared the movie process to "making a sand castle at the beach." Actually, his movies were more circuses than castles, and Altman was the ringmaster, using his whip not on the actors (who loved the improvisatory freedom he allowed them) but on the audience (whom he wanted...

Author: /time Magazine | Title: Remembering Robert Altman | 11/21/2006 | See Source »

...moneychanger in a fine old temple. And Altman, ostensibly the iconoclast, is actually the idealist, the conservative, keeping the faith, fighting to preserve what's best in movies: the sense that the screen can contain...anything. As Streep and Tomlin, finally in unison, said at the end of their Oscar introduction, "You leave his movies knowing that life is many things at once...

Author: /time Magazine | Title: Remembering Robert Altman | 11/21/2006 | See Source »

Previous | 160 | 161 | 162 | 163 | 164 | 165 | 166 | 167 | 168 | 169 | 170 | 171 | 172 | 173 | 174 | 175 | 176 | 177 | 178 | 179 | 180 | Next