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Journalist Mark Boal, 37, struck Oscar-nomination gold with his screenplay for The Hurt Locker; as one of the film's producers, he's up for Best Picture too. Boal spoke with TIME's Radhika Jones in Los Angeles about the genesis of his script, the meaning of the phrase the hurt locker and why it's good to kill off famous people in your movie...

Author: /time Magazine | Title: Oscar Week: Hurt Locker Writer Mark Boal | 3/4/2010 | See Source »

Most actresses wait their whole career for a breakout role. And 24-year-old Oscar nominee Carey Mulligan knows it. Hers was Jenny, the lead character in the Lone Scherfig film An Education, which was adapted from the Lynn Barber memoir about a teenager who falls head over heels for a charming but flawed man. Mulligan's portrayal of a young woman who blooms with love only to wilt upon discovering its complexities has captured the hearts of critics and Oscar voters and has established her as one of the front runners going into the ceremony on March 7. TIME...

Author: /time Magazine | Title: Oscar Week: Best Actress Nominee Carey Mulligan | 3/3/2010 | See Source »

...TIME's 2010 Oscar predictions...

Author: /time Magazine | Title: Oscar Week: Best Actress Nominee Carey Mulligan | 3/3/2010 | See Source »

...Which Oscar moments do people remember? Keep in mind that—as the Academy Awards is a multi-hour ceremony that has aired on television more than fifty times—that’s a lot of moments to choose from. In general, it seems, we most enjoy those that make famous people look uncomfortable, stupid, or silly. Take any one of the inevitable bloated, overemotional acceptance speeches—technically constrained by a forty-five second time limit, but which nevertheless regularly result in millions of dollars of wasted airtime...

Author: By Molly O. Fitzpatrick, CRIMSON STAFF WRITER | Title: Widescreen to Flatscreen: Televising the Oscars | 3/2/2010 | See Source »

...cackle at the fashion foibles of celebrities, and the same nebulous schadenfreude motivates the compiling of countless Worst Dressed Lists. TV cameras are masterfully positioned to capture deliciously revealing reaction shots; there’s nothing quite like the strained smile of someone who just lost an Oscar...

Author: By Molly O. Fitzpatrick, CRIMSON STAFF WRITER | Title: Widescreen to Flatscreen: Televising the Oscars | 3/2/2010 | See Source »

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