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DIED. Arthur Widmer, 92, special-effects pioneer who developed "blue screen" technology, enabling two images shot separately to be combined smoothly into one; in Los Angeles. For his work, he was honored last year with an Oscar for lifetime achievement...

Author: /time Magazine | Title: Milestones Jun. 19, 2006 | 6/11/2006 | See Source »

...idea of constant learning that administrators got wrong—it was the time and manner in which this learning would occur. The real thinking takes place during the 4 a.m. debate about whether Kantian ethics can prove “Crash” really was an Oscar-worthy film, or the middle–of-the-afternoon discussion on how Foucault proves that “Pimp My Ride” can only be understood as a social phenomenon embedded in relationships of dominance and control...

Author: By Margaret M. Rossman | Title: Learning to Think at Harvard | 6/7/2006 | See Source »

...Oscar winner Paul Newman, 81, doesn't just talk about Cars. He drives in and co-owns a racing team...

Author: /time Magazine | Title: People: Jun. 12, 2006 | 6/4/2006 | See Source »

...most self-consciously bookish graphical works yet published. Many of the chapters use a canonical literary work as a central metaphor and reference point. Often as tangentially associated with homosexuality as her father, the works cited include The Greek Myths, Camus's The Death of Sisyphus, Oscar Wilde's The Importance of Being Earnest, The Great Gatsby and eventually back to the Greek myths by way of James Joyce's Ulysses. The "Ulysses" chapter takes place near the end of Fun Home, when Bechdel must read it for course credit. At the same time she comes out to her parents...

Author: /time Magazine | Title: No Need for Sensationalism | 6/1/2006 | See Source »

...anticipation for the opening-night film was so sizable, so tense and tangy, it was almost erotic. Think of it: a big new movie from an Oscar-winning quartet - star Tom Hanks, director Ron Howard, producer Brian Grazer, screenwriter Akiva Goldsman. Yet nearly as soon as The Da Vinci Code began, the critics fell into a peckish mood. At the end of a long, soggy film, the black-tie swells went off to their parties, and the critics slumped away to write their regretful pans. Though we didn't know it then, The Da Vinci Code experience would turn...

Author: /time Magazine | Title: Highs and Lows | 5/28/2006 | See Source »

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