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...film series was born partially out of a course on the history of gay life that McCarthy is planning to teach in the spring. He plans to incorporate movies as entertaining as John Waters’ “Hairspray” (1988) and as serious as the Oscar-winning “Boys Don’t Cry” (1999, dir. Kimberly Pierce...
...standard critical line on director Robert Wise, who died last week in Los Angeles at 91, was that his films lacked personality, those visual signatures and obsessive themes that set true auteurs apart from studio hacks for hire. He also had the critical misfortune to direct the Oscar-winning Sound of Music, that melting pile of Alpine slush that was for a long time the most popular movie ever released. But Wise, who broke in as a film editor-earning praise for Orson Welles' Citizen Kane and unjustified calumny for recutting The Magnificent Ambersons after Welles abandoned it-mastered over...
...standard critical line on director ROBERT WISE, who died last week in Los Angeles at 91, was that his films lacked personality, those visual signatures and obsessive themes that set true auteurs apart from studio hacks for hire. He also had the critical misfortune to direct the Oscar-winning Sound of Music, that melting pile of Alpine slush that was for a long time the most popular movie ever released. But Wise, who broke in as a film editor--earning praise for Orson Welles' Citizen Kane and unjustified calumny for recutting The Magnificent Ambersons after Welles abandoned it--mastered over...
...slow to rise from their canvases. They kept making serioso dramas with soaring Broadwayesque scores, when the CG films were mopping up with brash, no-song comedies that appealed to young males as well as the family audience. New ideas were stifled. "It's kind of an irony," says Oscar-winning animator Eric Armstrong (The ChubbChubbs!), "because Walt was well known for being an innovative guy. A lot of people thought it was funny that Disney didn't want to try the same experimentation...
...sounds great that nobody should be treated differently," says writer Oscar Kightley of the Brash prescription. "But (in the past year) I'm also hearing a lot more things, racist stuff, on the street from ordinary people. That talk used to be confined to extremists on talkback radio." Kightley, of Samoan heritage, is one of the creators of bro'Town, a satirical animated sitcom set in Auckland. The show's characters are mainly Pacific Islanders and Maori - who together make up 22% of the population and growing. "As any parent says, you're only as happy as your saddest child...