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...vampires and werewolves of The Twilight Saga: New Moon at the North American wickets, according to studio estimates. And none of the three debut films in wide release could earn even half of what The Blind Side did. The only movie to spark hopes of box-office gelt and Oscar gold, Up in the Air, opened in limited release. (Read "The Blind Side: What's All the Cheering About...

Author: /time Magazine | Title: Box-Office Weekend: Blind Side Sacks New Moon | 12/6/2009 | See Source »

Best Pity Oscar...

Author: By The Crimson Staff | Title: BEST OF THE DECADE 2000-2009 | 12/4/2009 | See Source »

...various permutations of the three male critics and their single female colleague, endure bizarre and horrifying dreams, and plunge stoically into the breach between art and madness. Their search for a trace of the living author leads them to Santa Teresa, where a brush with the Spanish professor Oscar Amalfitano gives way to that character’s own section. Of all the protagonists throughout “2666,” Amalfitano is perhaps the most typical for Bolaño—a lone scholar and continental transplant who suffers bouts of profound fatigue and schizophrenic delusion. Paranoid...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: The Topography of Hell: Roberto Bolaño’s ‘2666’ | 12/4/2009 | See Source »

...fast-paced noir of the third section finds a Harlem journalist named Oscar Fate reporting on a boxing match in the Santa Teresa. Clearly the most narrowly realized of the five sections, Bolaño’s odd-footed parsing of racial and radical politics from New York City has a Kafkaesque absurdity about it (cf. “Amerika”). The world Fate inhabits is awkwardly fleshless, but the details he chooses can illuminate whole parallel universes; “[T]he Mohammedan Brotherhood caught his attention because they were marching under a big poster of Osama...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: The Topography of Hell: Roberto Bolaño’s ‘2666’ | 12/4/2009 | See Source »

...Gentleman's Agreement, an Oscar winner about a reporter who pretends to be Jewish while reporting a story on anti-Semitism, one of the film's crew was asked what the moral was. "Be nice to Jews," he said, "because they might turn out to be Gentiles." The Blind Side says to be nice to homeless black kids because they could become NFL stars. Whether they want to or not. Michael certainly gets a warm bed, lots of food and familial affection from the Tuohys; they gave him a purpose-driven life. But it's their purpose. They drove...

Author: /time Magazine | Title: The Blind Side: What's All the Cheering About? | 12/3/2009 | See Source »

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