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...getting a little, well, implausible and hackneyed. Sandipan Deb, writing in the daily newspaper the Indian Express on the morning after the Oscars, insisted that despite the awards for composer A.R. Rahman, sound mixer Resul Pookutty and lyricist Gulzar, the film is still a "Western" film, made by a British director and financed by a British producer. "It's a non-Indian film which happened to have an all-Indian cast," he wrote. This is missing the point. Danny Boyle could not have made the film that he did without this cast and crew, and to pretend otherwise...

Author: /time Magazine | Title: The Oscar Goes To ... | 2/26/2009 | See Source »

...Indian and non-Indian cast also ignores the way many artists in India actually work. Their world is the world - not just India - and they proudly learn, borrow and are influenced by everything around them. That was obvious in the Japanese taiko drummers pounding behind Rahman on his Oscar-nominated song "O Saya." And anyone who noticed Irrfan Khan as Jamal's interrogator ought to have a look at his other, much more substantial role in A Mighty Heart, playing a Pakistani police captain opposite an American superstar in a British film...

Author: /time Magazine | Title: The Oscar Goes To ... | 2/26/2009 | See Source »

...quite Slumdog's tale of rags to riches - more like shining maggots to Oscar gold. The path that led Japan to take its first Oscar in Best Foreign Language film at this week's Academy Awards started with the film's lead actor, Masahiro Motoki, contacting author Shinmon Aoki to quote a passage of his novel Coffinman: The Journal of a Buddhist Mortician in the actor's own travel diary. "Maggots are life, too," the passage, in the voice of the novel's protagonist, reads. "When I thought that, I could see the maggots shining...

Author: /time Magazine | Title: Japan's Double Oscar Victory | 2/25/2009 | See Source »

...days after the Academy Awards ceremony in Hollywood, at least a thousand people lined up at movie theaters in Tokyo's Marunouchi district to see the film for which director Yojiro Takita brought home an Oscar. Departures (Okuribito) is the comical and dramatic story of an unemployed cellist who finds work cleaning and preparing the deceased for burial. The film has already grossed more than $34 million in Japan since its September 2008 release. (The film is scheduled for limited released in the U.S. in May.) Sales of Aoki's novel, on which the film is based, have spiked, along...

Author: /time Magazine | Title: Japan's Double Oscar Victory | 2/25/2009 | See Source »

...became a mass phenomenon in Japan." Takita, 53, got his start in adult films but, until now, is probably most remembered as the director of the 1999 film Secret (Himitsu), which was eventually reamde by French director Luc Besson. Takita beamed as he spoke upon receiving the Oscar. "This is a new 'departure' for me. And I will - we will - be back." he said. Perhaps this year is the harbinger of future Hollywood endings for the Japanese film industry...

Author: /time Magazine | Title: Japan's Double Oscar Victory | 2/25/2009 | See Source »

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