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...their two approaches symbolize two sides of Harvard theater--the sensationally experimental versus the humanly experimental," suggests. Ted Osius '84, a fellow director and Rauch's freshman roommate. "Bill really wants to be able to take his shows to Des Moines, Iowa, and have people understand them. Paul is more likely to have very complex intellectual ideas, in which accessibility isn't really the main point...

Author: By Amy E. Schwartz, | Title: The two masks of Harvard drama | 6/7/1984 | See Source »

Norman must get annoyed when critics compare Traveler in the Dark to 'Night Mother, especially when the comparison is unfavorable, But she set very high standards for herself with 'Night Mother, and we can only hope that she will meet these standards again with her next play. Ted Osius...

Author: NO WRITER ATTRIBUTED | Title: Floundering In The Dark | 2/14/1984 | See Source »

Theodore G. Osius III'84, who had the pu pu platter at Adams House, said that the illness came at a poor time "because I am at a crucial point in my thesis, and it's hard enough during the first week of classes...

Author: By Christopher J. Georges, | Title: More Than 20 Students Report Stomach and Digestive Illness | 2/8/1984 | See Source »

WHILE IT IS CLEAR that director Osius knows his Bercht, it is also clear that he underestimates the intricacy of this particular Brechtian work. The HRDC's Mother Courage succeeds on the first levels it incorporates all of the Brechtian techniques of alienation and it leaves the audience feeling detached and thoughtful. However it does not succeed on that more tenuous level of which Brecht would probably disapprove--it is not haunting...

Author: By Kathleen I. Kouril, | Title: A Courageous Attempt | 4/9/1983 | See Source »

This is not for lack of effort Osius along with set designer Steve O'Donnell and graphics designer Gino Lee have come up with one elegant set. A white screen framed by bronze--like the black canvas of an as-yet unpainted portrait of a war hero-provides the backdrop for the simple set, a battlefield-like void. This screen provides an ingenious mechanism for utilizing Brechtian techniques. Plot summaries are flashed on the screen before each scene slides projected onto the screen change the setting in the blink of an eye. The screen also enables Osius a clever conceit...

Author: By Kathleen I. Kouril, | Title: A Courageous Attempt | 4/9/1983 | See Source »

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