Word: oskar
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Dates: during 1990-1999
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...even then, Fantasia was a critical and box-office flop (Disney's first). Audiences who were pleased to watch the animated cavorting of mice and dwarfs didn't care to be elevated. And from the high end, Walt got contempt. Oskar Fischinger, the famed abstract filmmaker who had worked briefly on the project, called it "a conglomeration of tastelessness." Walt's plans for an "organic" Fantasia, one that would be revived every year with new sequences replacing some old ones, were dropped. It was not until a 1968 reissue, when hippies flocked to it as a head movie, that Fantasia...
...Little Oskar the Drummer has finally conquered the world. His creator, German author G?nter Grass, was awarded the Nobel Prize for Literature Thursday, with his "Tin Drum," published in 1959, cited as "one of the enduring literary works of the 20th century." "It?s an excellent award, 30 years overdue, but better late than never," says TIME literary critic Paul Gray. "?The Tin Drum? was a pioneering attempt at new fictional forms, a kind of postmodern attempt at super-realism to deal with the bizarre and ugly rise of Nazism. It was an attempt to explore history through a kind...
...book?s protagonist, Oskar, refuses to grow in protest at the hypocrisies he sees all around him as Germany is seduced by the allure of Nazism, and then ?- as a dwarf ?- gains privileged access to the elite of the Third Reich. Its bold exploration of issues postwar Germany was doing its best to forget made its author a legendary social critic and literary provocateur. He became strongly identified with Germany?s political left, and in 1990 was criticized for rejecting the speedy reunification of East and West Germany. "In his later writing, he took partisan political positions," says Gray...
...visual cultural does...what? It is political, but it is more than simple propaganda--Heartfield and Georg Grosz each have their Hitler caricatures, but the meat of Weimar thought is elsewhere. Technology is everywhere: in the medium of photography, in Bauhaus design, in the mannequins of Josef Albers and Oskar Schlemmer, in the pipes and puppets in the portraiture section. The noisy whirligig of modern technology is both embraced in dada photo-montages of basketball-headed humanoids and controlled through the neat, organized designs of Herbert Bayer's movie house and exhibition pavilion, diagrams simultaneously full of primary color...
...important elements there: the sense of wonder and hope, and the identification with a child's point of view. Spielberg's best characters are like elaborations of the heroes from old Boy's Life serials, plucky kids who aren't afraid to get in over their head. Even Oskar Schindler has something of that in his makeup--the boy's delight in pulling off a daring scheme and getting away with...