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FAMED Viennese Painter Oskar Kokoschka has long boasted that his portraits captured the secret life of his subjects. Onetime Big Time Dancer Adele Astaire, who had never seen the original, last week viewed a color reproduction of her Kokoschka portrait (see color page) for the first time since it was painted in 1926, let out a cry of anguish, posed for a photographic version, finally calmed down enough to remark, "Well, it's better to be remembered as hideous and funny than not to be noticed at all." See ART, Psychological Portraitist...
...Vienna before World War I, the maddest celebrity in town was Oskar Kokoschka. His morbid plays dramatizing strife between the sexes set off bitter café debates; his portraits turning the light on the psychological "inner life" of his subjects outraged complacent burghers. Archduke Franz Ferdinand, heir to the Austrian throne (whose assassination at Sarajevo in 1914 triggered World War I), gave it as his opinion that "this fellow's bones ought to be broken in his body." After the war, which dealt Kokoschka a head wound and a bayoneting, the artist moved to the front rank of avant...
This week 72-year-old Oskar Kokoschka, having outlived his tormentors, is giving Europe a mellow, retrospective look at 431 works, including many of his most famous portraits and landscapes, covering five decades of painting. Ironically, the show is in the squat, limestone House of Art in Munich that ex-Housepainter Hitler built to display a new Aryan art of beautiful supermen. In six weeks the show has drawn 45,000 visitors...
Died. Prince Oskar Karl Gustav Adolf of Prussia, 69, last surviving son of Kaiser Wilhelm II, who got bounced from army ranks (he was a major general) in 1940 when Hitler slapped down on old royalty; of cancer; in Munich...
...much-praised Kokoschka with their hesitant drawing which often falls far short of any satisfying conclusion, Kubin's unpretentious drawings are refreshing. Nevertheless, whatever qualifications one makes in Kokoschka's case, his merits become evident when compared with the unhappy commercialism of Paul Kleinschmidt's At the Bar or Oskar Schlemmer's Three Figures...