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...adroit direction prevents the basic plot-line of a jockey's love for an heiress from ever dragging. He adds dimensions to the characters, allowing them to transcend their early 1900s conventions. Goldie Gates, the madcap heiress from San Francisco (Maureen Brennan), trails her love, Johnny Jones (Donny Osmond), across a continent and an ocean, not out of subservience, but from a need to fulfill her own desires. She appears to us as assertive intelligent, and independent...

Author: By Brian M. Sands, | Title: What a Modern Age | 2/16/1982 | See Source »

...hard to imagine an exile from popular culture succeeding in drama, but following the lead of Bowie and Ronstadt, Osmond more than holds his own. He has a generally pleasant voice, and his dancing is quite good. The Johnny Jones role calls for a star quality performer to carry the show along. His acting ability might be negligible, yet few can question the value of Osmond's 19 years in the business. Charisma enables him to support the burden of the show, becoming a center of gravity around which the other actors can spin merrily. Maybe only Donny with...

Author: By Brian M. Sands, | Title: What a Modern Age | 2/16/1982 | See Source »

...Osmond receives solid, but never overpowering support, from a superb chorus. They all nimbly dance their way through Dan Siretta's inventive choreography. Siretta does not recreate the dances of the period, but rather their style, which makes it easier for a modern audience to appreciate them. Cohan's score offers delights other than the songs which went on to become American institutions. He could write not only belt-em-outs, but gentle ballads like "Life's a Funny Proposition," done subtlely and straightforwardly by Osmond, and wonderful comic creations such as "Captain of a Ten Day Boat" a parody...

Author: By Brian M. Sands, | Title: What a Modern Age | 2/16/1982 | See Source »

...OSMOND IS fortunate to be surrounded by accomplished stage professionals. Peter Van Norden brings Anthony Anstey to disreputable life. Ernie Sabella does a hilarious burlesque comic turn. As the kooky Mrs. Kenworth, Anna McNeely is a model of repressed Edwardian sexuality ready to burst at her ample seams. Her awesome vocal apparatus displayed in "The Voice in My Heart" could not only blow the whole cast of Dreamgirls away but teach them some musical technique as well. Finally as Goldie Gates Maureen Brennan displays a lovely voice, marvelous comic timing, and a delightful ingenue quality...

Author: By Brian M. Sands, | Title: What a Modern Age | 2/16/1982 | See Source »

...Marie Osmond, 21, pop singer, on her own virginity: "People dwell so much on why Marie won't go to bed with somebody, and they think I'm a little weird because I haven't yet. Like I'm missing a big thing...

Author: /time Magazine | Title: On the Record: Feb. 16, 1981 | 2/16/1981 | See Source »

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