Word: oswalds
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...give you one substantive answer") and gave a bit of news about China's birth control campaign (researchers are widely testing a once-a-month contraceptive pill). China's second-in-command also raised a few editorial eyebrows by expressing his belief that Lee Harvey Oswald alone did not kill President Kennedy, mysteriously adding, "the [identity of the] principal culprit, the man who planned the assassination," has never been divulged...
...four-day negotiations were seriously undercut by numerous mistakes in judgment. The commission did not second-guess Corrections Commissioner Russell Oswald's decision to talk to the prisoners, but it contended that he should not have negotiated with more than 1,200 rioters looking on. Nor should newsmen and TV cameras have been permitted into the yard, thereby giving rioters a national limelight that they were unwilling to relinquish. The 33 "citizen observers"-an unwieldy group including Radical Lawyer William Kunstler and New York Times Columnist Tom Wicker, were too "racked with ideological differences" to be much help...
...immediate response to the report was muted. Governor Rockefeller noncommittally thanked the commission for its "monumental job of investigating and reporting" but did not react to its criticism of him. Also holding his peace was Russell Oswald, who has written his own book-length account of what happened. Due to be published next month, it makes his case for doing "what I had to do" and argues that the revolt was carefully planned, at least in general terms, by a coalition of black and white radicals...
...once, the audience cheers when the hero doesn't kill his enemy. CINEMAS 57 II: 10, 12, 2, 4, 6, 8:10, 10:20. Fiddler on the Roof. The musical comedy, for all its shmaltz, was great, and the film is a faithful transcription. Norman Jewison directs competently, Oswald Morris's photography is breathtaking, and Topol's Tevye--virile and touching. CHERII THEATER...
Fiddler on the Roof. The musical comedy, for all its shmaltz, was great, and the film is a faithful transcription. Norman Jewison directs competently, Oswald Morris's photography is breathtaking, and Topol's Tevye--virile and touching. CHERII THEATER...