Word: othello
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Dates: during 1930-1939
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...scheme to make annual revivals there a reminder of the city's rowdy past. The revivals started two years ago when Lillian Gish played Camille. Last summer an audience in 1890 costume watched The Merry Widow. For last week's performance Scene Designer Robert Edmond Jones selected Othello, persuaded Walter Huston to take a six-week vacation from Dodsworth in Manhattan to appear as the Moor with Nan Sunderland (Mrs. Huston) as Desdemona...
...Central City's Opera House and its 750 hickory seats were redolent of the past, there was nothing antique last week about what happened on the stage. Walter Huston made Othello a modern hero, lively, admirable and forlorn. Nan Sunderland's Desdemona was a graceful and impulsive lady, much more exciting than the demure Desdemonas who were in vogue when Central City last saw Othello. Kenneth MacKenna, whose brother. Scene Designer Jo Mielziner, was in the audience, made lago a villain of monstrous subtlety and venom. The Jones' sets, sparkling with Venetian color, were amazingly well handled...
...Fetchit was a successful Hollywood comedian (Show Boat, Hearts in Dixie, Fox Follies). He made $1,000 a week, owned four Cadillac cars with a chauffeur for each, spent $75 telephoning his mother to ask whether to buy his sister a $36 dress, urged producers to cast him as Othello. Annoyed by rumors that he was as lazy off the screen as on, he grew over-diligent, insisted on writing his own lines, directing his own scenes. In 1931, Stepin Fetchit ceased to be employed in Hollywood. Last autumn Winfield Sheehan of Fox was smart enough to rehire...
...Othello," Professor Kittredge, Harvard...
...Shakespeare's Othello and King Lear," Professor Murray, Harvard...