Word: othello
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...holidays get near, Hollywood gets the glums. For Christmas, it gives moviegoers a hair shirt: severe, serious films angled more for Oscar consideration than for Yuletide joy giving. Remember Nixon, Georgia, Othello in '95? This season, with few Academy Award contenders emerging in the first 10 months, studios will come down with a bad case of good intentions...
...getting a plethora of iambic pentameter. Last Christmas saw a stolid Othello (with Branagh and Laurence Fishburne) and the brutal, enthralling Richard III (Ian McKellen). This week three Shakespeare films will be on view: Romeo and Juliet, Al Pacino's Looking for Richard and the British Twelfth Night, or What You Will, directed by Trevor Nunn, the former Royal Shakespeare Company artistic director who has been named boss of the Royal National Theatre. Branagh has his four-hour Hamlet ready for Christmas. Filmmakers are trying every tactic--cultural intimidation, lavish spectacle, frenzied camerabatics and the casting of young stars...
...before Kenneth Branagh, Shakespeare's most doting and dogged courtier. Last year he played Iago to Laurence Fishburne's Othello and made a film, A Midwinter's Tale, about doing Hamlet in the provinces. This year he directs and stars in Hamlet--every word of Shakespeare's longest play--and has cast it with nearly every tony Brit actor (Derek Jacobi, John Gielgud, Kate Winslet, Rosemary Harris) but Emma Thompson. There are also some ringers: Robin Williams, Jack Lemmon and Billy Crystal. How do you say shtick in Elizabethan English...
...still an affecting source of drama; Sam Shepard and David Mamet are proof. But Death of a Salesman, with its focus on idealism, fails to address the core concerns of an increasingly skeptical world that has already learned from Willy's lesson. Idealism is not a universal frailty like Othello's jealousy or Hamlet's indecision, but a transient societal attitude, and one that is not pervasive today. Those who do not agree will probably enjoy the show...
That Orson Welles and Laurence Olivier both donned blackface in famous film versions doesn't mean no one else should try. Parker had the radical idea to cast a black man as Othello, and Laurence Fishburne brings an outsider's dignity to the role of Shakespeare's noblest chump. Irene Jacob is a lovely, sallow Desdemona, and Kenneth Branagh--looking bloated and rheumy, slithering snakelike on rooftops, whispering his venomous gossip as if it's his last confession--makes a fine Iago, a demi-devil working his cool wit to destroy those he might have loved...