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...talking records that would not talk down to their audience. Her partner: Barbara Cohen, a classmate at New York City's Hunter College. Last week, eight years and some 200 releases later, the latest Caedmon albums were on sale: three Shakespeare dramas, Macbeth, The Taming of the Shrew, Othello, the opening installments of an impressive recording project. Within four years, the partners hope to produce 34 other plays, all with topnotch casts, adding up to the first complete professional Shakespeare on records...

Author: /time Magazine | Title: RECORDS: Closing the Poetry Gap | 11/7/1960 | See Source »

...Shakespeare project, Partner Mantell went to London last summer to round up talent, much of it from the Old Vic and other repertory companies. Their curtain raiser is a moving and brilliant Macbeth, starring Anthony Quayle and Gwen Ffrangcon-Davies. The two-hour, two-record production was followed by Othello, with Cyril Cusack and Frank Silvera; and The Taming of the Shrew, with Margaret Leighton and Trevor Howard. Early next month: Sir John Gielgud's The Winter's Tale...

Author: /time Magazine | Title: RECORDS: Closing the Poetry Gap | 11/7/1960 | See Source »

...Richard III; 3) the Shakespearean jester, e.g., Touchstone; 4) Ariel (whose hand, trumpet and feet stuck out behind the cover slash); 5) Caliban; 6) Hamlet (with Yorick); 7) King Lear; 8) & 9) Antony and Cleopatra; 10) & 11) Petruchio and the shrew he tamed, Katharina; 12) Ophelia; 13) & 14) Othello and his ill-fated wife, Desdemona; 15) & 16) Juliet and Romeo; 17) a gravedigger from Hamlet; 18) & 19) Macbeth and Lady Macbeth; 20), 21) & 22) the three witches from Macbeth, stirring their boiling cauldron; 23) & 24) Bottom, the weaver, and Queen Titania under the influence of Puck...

Author: /time Magazine | Title: Letters, Jul. 18, 1960 | 7/18/1960 | See Source »

...still my beating mind," he puts the fingers of both hands to his temples; few actors can bring this gesture off, but Carnovsky makes you know he has an attack of migraine. He can also bring sense and conviction to those vexatious little repetitions like "so, so, so" (Othello twice has to give out "O! O! O!," and Lear even expires saying "Never, never, never, never, never!"--as a matter of fact. Carnovsky would seem to be ready to attempt Lear next season; how about it, Festival managers...

Author: By Caldwell Titcomb, | Title: The Tempest and Twelfth Night | 7/5/1960 | See Source »

...City's famed Astor Place riot, in which 22 people were killed. But in the U.S., too, touring companies were beset by moralizers, and as they played the Bard in gold-rush camps and over billiard rooms, the actors placated indignant religious sectarians by billing Othello as "a moral dialogue depicting the evil effects of jealousy...

Author: /time Magazine | Title: THE STAGE: To Man From Mankind's Heart | 7/4/1960 | See Source »

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