Word: othellos
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...Observer. In 1930, when Waugh was busy with the social-literary set, he wrote: "After dinner I went to the Savoy Theater and said: 'I am Evelyn Waugh. Please give me a seat.' So they did. I saw the last two acts of Paul Robeson's Othello. Hopeless production but I like his great black booby face." Waugh also noted disapprovingly that Poet Edith Sitwell and her family lived on terms of "feudal familiarity" with their servants. "Come on, one of you's got to go," said the footman, trying to persuade Edith or her reluctant...
KIRKLAND HOUSE DINING HALL. Othello (1966) with Laurence Olivier, March...
...Othello. Stuart Burge's direction of a British National Theater production, starring Sir Laurence Olivier, Maggie Smith, and Frank Finlay, is a record of an outstanding stage production. Avoiding, for the most part, the elaborate "filmic" effects of so many Shakespearean films, it shows that straight-forward filming of a play can succeed admirably...
...dances, but by the late 1940s had his own group, and with Mentor Humphrey as artistic director, polished his austere, flowing style. His major works include Missa Brevis and Emperor Jones. He is best remembered for The Moor's Pavane, created in 1949, a spare retelling of Othello that has become a dance classic...
...Fiedler, Aaron in Titus Andronicus and Othello represent "the paranoia about blacks which Shakespeare shared with the pit," that is, the commoners in the audience. Now Shakespeare and his audience could have spent a lifetime without seeing a black. Only in Hitch cock or Pinter can one develop paranoia over an unseen "stranger." In Othello, black and white are not racist, but imagistic counters. It is Othello who is white in his innocent gullibility and Iago who is black in his "motiveless malignity." Both men are complementary halves, like day and night...