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Despite her apprehension after this experience, for her first production at Harvard she managed to find a vibrant community. “One project just popped up one after the other,” Holding says. “I realized that the artists at Harvard are incredibly engaged, constantly...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: Carolyn Holding ’10 | 4/27/2010 | See Source »

Holding notes that she also took time to explore many other facets of the Harvard community, concentrating in History and Literature with a secondary concentration in Dramatic Arts. “I sometimes feel that I only have one foot in the theater door,” she says. But...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: Carolyn Holding ’10 | 4/27/2010 | See Source »

What, then, is the point of this law? Regardless of its intended impact, it functions to enforce racial divisions already deeply entrenched in American society. Needless to say, Arizona’s new stance on illegal immigration does not constitute a constructive way to deal with the issue?...

Author: By The Crimson Staff | Title: Reasonable Suspicion? | 4/27/2010 | See Source »

Lieberman attributes the most influence, however, to Helen Mirra, the artist and VES professor who taught Lieberman’s first sculpture class and advised her thesis this year. Mirra pushed the conceptual boundaries of Lieberman’s art, particularly regarding formal and material decisions in her sculpture work...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: Rebecca Lieberman ’10 | 4/27/2010 | See Source »

Such lazy inertia, exemplified by a drawn-out pan of the pupils lying on the grass in sundresses on a summer day, is struck away with a vengeance, though, as “Cracks” turns nightmarish in its final act. Ultimately, the story is a sordid one. As...

Author: By Michael A. Yashinsky, CONTRIBUTING WRITER | Title: Cracks | 4/27/2010 | See Source »

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