Word: ottorino
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...work is a collage inter-cutting various scenes of restless, frustrated, even comically absurd mobility—men on horses, novelty bicycles, surfboards, water-skis and racecars—clips of peep-show footage, air disasters, tight-rope walkers, and myriad other images, set to the sounds of Ottorino Respighi’s “The Pines of Rome.” Its narrative framework, to the extent that there is one, is fleeting. Conner takes pains to thwart any clear interpretation, but motifs of modern warfare, performitivity, the Freudian return to the womb, and the sex and death...
...cost about $900 to print. Current and past board members of the Harvard-Radcliffe Orchestra (HRO) said that over the summer, Summers told the group that he would narrate the tribute to Lincoln, which was written by Copland in 1942. The group had previously planned to perform Italian composer Ottorino Respighi’s 1924 tone poem “Pines of Rome” at its Oct. 29 concert, but HRO altered its plans after Summers said he would narrate the Copland composition. More than a month before the concert, in mid-September, Summers told HRO leaders that...
...said. "Romans can keep the right distance with power - a true Roman can act politically without becoming too involved." As chief conductor since April 2000, Gelmetti has helped revive that city's ailing Opera House, as well as the musical reputations of such early 20th century composers as Ottorino Respighi, whose forgotten opera Marie Victoire he premiered in January...
...solo, Violin Concerto in G by Haydn, with the orchestra accompanying. As the strings echoed and flourished the soloist's line, it was evident that MSO not only had energy but also a thorough command over style and technique. The highlight of the evening came at the end with Ottorino Respighi's The Birds, a piece incorporating the voices of four birds. MSO charmed the audience as it took on the voices of these birds one by one. From the graciousness of the dove to the sharp call of the hen MSO showed off its talents...
...January the Music Institute denounced Franz Schubert as well. Last week the dimensions of the target shrunk, as an article in Jenmin Jih Pao, the Communist Party newspaper, denounced the music of Ottorino Respighi. The work of this modern Italian composer is hardly a touchstone of Western music: he is a minor impressionist whose works are played more often than they deserve. Western critics might denounce him too, if anyone cared. The diatribe in Jenmin Jih Pao specifically cited Respighi's symphonic poem, Pines of Rome for stimulating "empty talk about changes in contrasts and emotions" which tries to "gloss...