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Word: ouija (lookup in dictionary) (lookup stats)
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Devotees of these esoteric cults are sincere in their beliefs, although many of their exploiters are out and out charlatans. For dabblers in spiritualism, regular supply houses advertise "zodiac rings," "Arabian Sheik rings," "talismanic jewelry, charms, pendants, brooches, rings, pins, bracelets," hardwood ouija boards, gazing crystals, "destiny charts," "astrological guides,"; "Grand Imperial Incense." "prayer incense, collapsible trumpets, aluminum trumpets, "luminous bands" and a host of other accessories...

Author: /time Magazine | Title: Religion: Patent Religions | 5/10/1926 | See Source »

...gone just a bit too far. The daring treatment of the theme results here in a sacrifice of plausibility to uniqueness--for the plot is certainly unique if nothing else. The ordinary mortal has no difficulty in experiencing the definite thrills of such "spook" dramas as "The Ouija Board," but in comparison, "One" is a very ambitious attempt which is not so easy to understand. The convenient method of communication between the sisters does not seem quite in keeping with customary procedure in such matters, but the exigencies of the theatre may easily account for this. Whether the spectator...

Author: By H. S. V., | Title: THE CRIMSON PLAYGOER | 1/10/1921 | See Source »

Channing Pollock's melodrama, "The Sign on the Door," which opened at the Majestic Theatre on Monday night, attempts to follow the "thriller" pathway of such as "The Thirteenth Chair," "The Crimson Alibl," or "The Ouija Board." But the standard of these plays is a difficult one to maintain, and "The Sign on the Door" does not reach it. Instead, we have a murder story of rather clumsy construction, which has for its saving feature the admirable acting of Marjorie Rambeau and practically all the others in the cast...

Author: By H. S. V., | Title: THE CRIMSON PLAYGOER | 11/3/1920 | See Source »

...summon mentally and definite, unmistakable plot which we can thumb. The play is too rapid a frolic for that. And its plot is a bewildering melange of characters and incidents, as episodic carnival rather than a blunt sequence of cause and effect. We encounter no sex problems, no ouija jigglings; Moraleda is Medford, Mass.; or Spoon River before it became a cemetery...

Author: NO WRITER ATTRIBUTED | Title: THE CRIMSON PLAY-GOER | 5/20/1920 | See Source »

...hope that some roving spirit may some day think it worth his while to guide the Lampoon's ouija board, and spell out the suggestion that fewer "special numbers" might raise the average of the publication. Perhaps there might be more well tempered satire of our college habits and point of view, fewer venturings abroad to tilt against the windmills beyond our gates, and fewer half hearted contributors joining in the quest. Surely nothing would be lost. The good drawings and clever writing of this "Spiritualistic Number" would be preserved, and presented, perchance, with other contributions worthy of them, instead...

Author: NO WRITER ATTRIBUTED | Title: CRITIC FINDS LAMPY MEDIOCRE | 4/5/1920 | See Source »

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