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Word: ouija (lookup in dictionary) (lookup stats)
Dates: during 1920-1920
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Usage:

Channing Pollock's melodrama, "The Sign on the Door," which opened at the Majestic Theatre on Monday night, attempts to follow the "thriller" pathway of such as "The Thirteenth Chair," "The Crimson Alibl," or "The Ouija Board." But the standard of these plays is a difficult one to maintain, and "The Sign on the Door" does not reach it. Instead, we have a murder story of rather clumsy construction, which has for its saving feature the admirable acting of Marjorie Rambeau and practically all the others in the cast...

Author: By H. S. V., | Title: THE CRIMSON PLAYGOER | 11/3/1920 | See Source »

...summon mentally and definite, unmistakable plot which we can thumb. The play is too rapid a frolic for that. And its plot is a bewildering melange of characters and incidents, as episodic carnival rather than a blunt sequence of cause and effect. We encounter no sex problems, no ouija jigglings; Moraleda is Medford, Mass.; or Spoon River before it became a cemetery...

Author: NO WRITER ATTRIBUTED | Title: THE CRIMSON PLAY-GOER | 5/20/1920 | See Source »

...form of an occasional lapse from good taste (if any there be benighted enough to notice such things), the conventional allusions to Mr. Cram, Terry and University Hall-these are the essentials of a routine Lampoon. These are here, each with a carefully introduced reference to an ouija board, a crystal, or a ghost. Quite in the orthodox fashion, the quality varies. Real humor hides between paragraphs of undiluted nonsense properly tinctured with spiritualistic jargon. Pre-eminence in the Lampoon's true field-good humored mockery of the incidents and figures in our academic daily round-is revealed in drawings...

Author: NO WRITER ATTRIBUTED | Title: CRITIC FINDS LAMPY MEDIOCRE | 4/5/1920 | See Source »

...hope that some roving spirit may some day think it worth his while to guide the Lampoon's ouija board, and spell out the suggestion that fewer "special numbers" might raise the average of the publication. Perhaps there might be more well tempered satire of our college habits and point of view, fewer venturings abroad to tilt against the windmills beyond our gates, and fewer half hearted contributors joining in the quest. Surely nothing would be lost. The good drawings and clever writing of this "Spiritualistic Number" would be preserved, and presented, perchance, with other contributions worthy of them, instead...

Author: NO WRITER ATTRIBUTED | Title: CRITIC FINDS LAMPY MEDIOCRE | 4/5/1920 | See Source »

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