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...work on both outer landscape (trees and the world outside) and inner landscape (of the mind) have been consistently excellent," Winter said. "Her art has been less well-known than it might be, but with the Art in America article [published in November 1994] and the quality of her work, it may really start to take...

Author: By Jonathan A. Lewin, | Title: VES Appoints Phelan to Faculty | 1/9/1995 | See Source »

...Enterprise big shots: Shatner as the heroic, headstrong Captain Kirk of the original series and of every movie until now; and Patrick Stewart, the bald-pated Brit who succeeded him as the more cerebral Captain Picard in The Next Generation. The new film, a smashingly entertaining mix of outer-space adventure and spaced-out metaphysics, almost certainly marks the last movie appearance of the classic Trek crew (Kirk, in a secret no one seems able to keep, dies at the end of the film) and launches what promises to be a new string of movies featuring Stewart and his Next...

Author: /time Magazine | Title: Star Trek: Trekking Onward | 11/28/1994 | See Source »

Deep Space Nine is a drearier show, set in a kind of outer-space bus stop, where another imposing commander (Avery Brooks) presides over a melting pot of alien riffraff. The upcoming series, Voyager, aims to return to the exploration theme of the earlier series. Its premise: a Starfleet ship, chasing a band of rebels who oppose a Federation peace treaty, is transported (through a pesky space-time anomaly) to a distant part of the universe. The Starfleet crew and the rebel band must then join forces to find their way back home. The new show also responds...

Author: /time Magazine | Title: Star Trek: Trekking Onward | 11/28/1994 | See Source »

...light of the star burns out, the star is still there, he said. Thus, the mass of the star--which is primarily responsible for its gravitational pull--has stayed the same; only the outer appearance of the star is different...

Author: By Anne C. Krendl, | Title: Science of 'Star Trek' Falls Short | 11/23/1994 | See Source »

...cinematography of the film is beautifully rendered. The camera is a living, prowling creature of the inner and outer English lanscape. Interior shots are filmed in warm, sepia-toned pigments that highlight the humanity, as well as the coarseness, of English life. Similarly, the film-maker captures the indifferent cruelty--tooth and claw--of nature with cold, harsh shots. From the panoramic sweets, the camera always returns to the pockmarked faces of individuals in the crowd. This is a living portrait of England, from the impoverished riff-raff to the royal...

Author: By Tristanne LILAH Walliser, | Title: HENRY | 11/10/1994 | See Source »

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