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...Bush White House is strictly top-of-the-organizational-chart, an outfit run by corporate bosses: Dick Cheney from Halliburton, the oil-services giant; Treasury Secretary Paul O'Neill from Alcoa; and Commerce Secretary Don Evans from the Denver oil-and-gas outfit Tom Brown. These are capitalists who know how to make a buck and were never ashamed...

Author: /time Magazine | Title: The Rap On Bush And Cheney | 7/22/2002 | See Source »

...witnesses a rub-out, old man Looney and his homicidal son Conner decide to kill the whole family. But Sr. and Jr. O'Sullivan escape, hitting the road to Perdition, Kansas where the boy's aunt and uncle live. Along the way The Angel reaps vengeance on Looney's outfit, as well as Al Capone's, who has put Conner Looney into hiding...

Author: /time Magazine | Title: The Original 'Road to Perdition' | 7/16/2002 | See Source »

...Bush White House is strictly top-of-the-organizational-chart, an outfit run by corporate bosses: Dick Cheney from Halliburton, the oil-services giant; Treasury Secretary Paul O'Neill from Alcoa; and Commerce Secretary Don Evans from the Denver oil-and-gas outfit Tom Brown. These are capitalists who know how to make a buck and were never ashamed...

Author: /time Magazine | Title: The Rap on Bush and Cheney | 7/14/2002 | See Source »

...Counterterrorism Center, or CTC, as veteran hands call it, has become the CIA's busiest outfit. Organized in 1986 to coordinate America's effort to foil terrorists overseas, the center has doubled its manpower since the Sept. 11 attacks to more than 1,100 analysts and clandestine agents. Some 2,500 cables pour into the CTC every day from CIA stations around the world, from interrogators interviewing al-Qaeda prisoners at the Guantanamo Bay detention facility and from foreign intelligence services that have tips on terrorists. The CIA's main cafeteria has expanded its hours to feed the center...

Author: /time Magazine | Title: At the Crossroads Of Terror | 7/8/2002 | See Source »

...wear is as exciting as cream cheese. But this year famous women are wearing ties because they're "strong, distinctive and sexy," in the words of one fashion marketer--and because other famous women are wearing them. The accessory has come a long way from Diane Keaton's tomboy outfit in Woody Allen's 1977 film, Annie Hall. Young pop singers from Michelle Branch to Alicia Keys have adopted an '80s new-wave look that juxtaposes ties with dark punk garb or ultra-casual white tank tops. And fashion designers like Alexander McQueen have been slipping them on models since...

Author: /time Magazine | Title: The Ties Of Sisterhood | 7/8/2002 | See Source »

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