Word: outlaw
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Dates: during 1940-1949
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...will find that they were shapely but not "tiny" as you say in your Kiki article. . . . Her shoes would have fitted that miner's daughter, Clementine, nicely. She had big teeth, a big mouth, and I'll bet she would have made a hit in The Outlaw...
...five years, while Producer Howard Hughes and film censors played put & take with certain shots in The Outlaw, Jane Russell was only a box-office bust. Last week she became a bonanza...
...first week, the unmitigated Outlaw took Atlantans for $22,413-$3,091 more than Atlanta's own Gone With the Wind, according to Russell Birdwell, Hughes's pressagent. In Chicago it topped the Oriental Theater's alltime record...
This week she could finally be seen in celluloid-not once, but twice. Hughes's $2,500,000 The Outlaw was ready for public release (first showing: Richmond). So was Young Widow, a picture Jane made for Producer Hunt Stromberg. Hughes had made his peace with some of the censors who growled after The Outlaw's San Francisco showing; he also did not want to be scooped by Stromberg...
What audiences would make of Jane's films was still uncertain. The two pictures offered a wide choice. Young Widow, a sentimental wartime domestic drama with incidental stretches of comedy, was overwhelmingly Jane-in mourning, in love, in various stages of dress and undress. In The Outlaw, Oldtimers Thomas Mitchell and Walter Huston did their sly best with the saga of Billy the Kid. Jane, as a sulky, sexy, persistently semiclad half-breed, had a relatively minor part...