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Word: outlawful (lookup in dictionary) (lookup stats)
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...shot in 20 days on a wheezing budget with a crew recruited largely from skin flicks and the streets. Critics hated it, distributors shunned it. But black audiences loved Sweet Sweetback's Baadasssss Song, a foxy film centering around an outlaw from the ghetto who throws down girls-white and black -the way Billy the Kid tossed back sarsaparilla. In the end he gets away with everything. Huey Newton, Black Panther defense minister, called it "the first truly revolutionary black film...

Author: /time Magazine | Title: Show Business: Power to the Peebles | 8/16/1971 | See Source »

Discovered by Pigs. The outlaw monopoly starts right at the mines, in the jagged Andes 60 miles northeast of Bogotá. Many jewels are stolen by miners in the government's Muzo, Peñas Blancas and Coscuez mines. The thieves pocket most of the emeralds that they dig out of the soil, paying off the inspectors who are supposed to guard the pits. Other stones are illegally mined to begin with. A miner with a few pesos to invest in dynamite and tools assembles a squad of men and goes off to dig. It is not a difficult...

Author: /time Magazine | Title: COLOMBIA: Emeralds and Bullets | 7/12/1971 | See Source »

...reduced Belli to a harmless comic figure, and the Stones to unwitting spectators of their own spectacle, who's loft but the Angels, and what's left but another melodrama, one in which beefy Alfred Jarrys play the villains, and everyone else the innocents. A self-defined outlaw gag, but not the kind of outlaws that sign million dollar contracts, the Angels are denied appeal. Though Grace Slick says, "People get weird and we need the Angels to keep people in line"; though a member of the Dead says, "Beating on musicians? Doesn't seem right"; though the Stones...

Author: NO WRITER ATTRIBUTED | Title: Film Politics | 6/17/1971 | See Source »

...Outlaw...

Author: /time Magazine | Title: Letters, Apr. 5, 1971 | 4/5/1971 | See Source »

...York City is at the end of the land, and I like being near the ocean. At the edge. I have sympathy for the outlaw, the deviant. I am attracted by something extreme. I like to see real crazy people. That's why I live in New York. It is kind of a boil. You can really see the sickness there. As an artist, who must deal with these things, I am a little proud to have existed through all this. I'm a little bit crazy myself...

Author: By Timothy Carlson, | Title: Focus on America Who the Slayer and Who the Victim? | 3/23/1971 | See Source »

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