Word: outputs
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Dates: during 1970-1979
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...credit must go to the show, one of those sure-fire hits in high-school, college and amateur theaters. An old-fashioned revival long before Nanette made them commonplace, the already sumptuously scored Anything Goes was packed with still more memorable melodies from Cole Porter's mind-boggling output. Now, in one show, we have the title song, "You're the Top," "It's DeLovely," "Friendship," "I Get a Kick Out of You," "Blow, Gabriel, Blow," "Take Me Back to Manhattan," and lesser known though equally delightful gems like, "Let's Misbehave," and "Heaven Hop." Whew. This production adds still...
...dirty to burn free the world's most energy-hungry nation from its crushing dependence on foreign oil? All along, that has been the big question mark over coal, the linchpin in President Carter's National Energy Plan. Carter's goal for coal is to boost output to 1.2 billion tons a year by 1985-an unprecedented increase of almost 75% over the 685 million tons mined last year-and to coax electric utilities and industry to burn the coal instead of imported oil or scarce natural gas. A cloud of uncertainty as dark as coal dust...
...exhibition in living memory has offered quite so much access to him as this one. We see the artist, warts and all: the epiphanies but the fustian too. It is an invigorating show and, obviously, a taxing one as well. Blake never strove to please, and much of his output was propelled by a need whose expression was, to put it mildly, obscure...
There are moments in Blake's large output when the linearity of his nudes becomes nearly absurd - they resemble skinned rabbits, thongs of formalized pink tendon. But against these, one must reckon such masterpieces of the imagined figure as Elohim Creating Adam, 1795, with the repressive God of the Old Testament, terrible in the weight of his beard and vast wings, waking the serpent-bound Adam to a life of toil and subjection. And his sense of dramatic terribilità, in the midst of the grotesque, was unparalleled. Few demonic images in Western art radiate such a nightmarish charge...
...theory, anyone with scissors could emulate Dover's vast output and multimillion-dollar volume. The prospect is pleasant: bygone writers do not require royalties, and artists from other epochs are in greater demand now than they were in their own lifetimes. "All it takes to maintain Dover," says its president and owner, "is judgment, hard work and luck...