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...Elderfield points out in a catalog essay, Matisse's luck with the critics has always been peculiar. At the outset, part of the tiny modern-art public in Paris thought his work incoherent, ugly. Others, like Gauguin's friend Maurice Denis, praised its absolutist devotion to "painting in itself, the pure act of painting." But there was never a shortage of critics who saw Matisse as a kind of magisterial lightweight. "It is a modiste's taste," wrote the poet Andre Salmon in 1912, "whose love of color equals the love of chiffon...

Author: /time Magazine | Title: Art: Matisse The Color of Genius | 9/28/1992 | See Source »

...Crimson squad (7-7-1 overall, 3-3-1 Ivy) looked promising at the outset, but never caught fire. Just like the two previous years...

Author: By Ted G. Rose, CRIMSON STAFF WRITER | Title: New Coach Is a Wild Card For Talented M. Booters | 9/18/1992 | See Source »

...Crimson squad (7-7-1 overall, 3-3-1 Ivy) looked promising at the outset, but never caught fire. Just like the two previous years...

Author: By Ted G. Rose, CRIMSON STAFF WRITER | Title: New Coach Is a Wild Card For Talented M. Booters | 9/16/1992 | See Source »

...especially if unavoidable draws -- the outcome of the second game, a seven- hour marathon -- proliferate, delaying the accumulation of wins. The prospect of two weary, middle-aged former world champions going after each other in frozen Belgrade next January is not very appealing. It was clear at the outset that this rematch would not be a case of deja vu all over again; what remains to be seen is whether history will repeat itself as farce...

Author: /time Magazine | Title: Return of The Prodigy | 9/14/1992 | See Source »

Passionate and energetic by nature, Johnson felt most drawn to an Expressionist idiom. His particular heroes were Chaim Soutine (especially the convulsive Ceret landscapes) and, later, Oskar Kokoschka. At the outset, his homages to Soutine's surging hills and toppling houses had a somewhat illustrational tone -- painting from the motif, he sometimes used a distorting lens to produce the effect, as earlier landscapists had used a smoked Claude Lorraine glass -- so that the image turned out more optical than visceral. But as his sense of the relations between mark and motif increased, Johnson's landscapes accumulated power, and some...

Author: /time Magazine | Title: Return From Alienation | 8/31/1992 | See Source »

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