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...Visser 't Hooft, one major change in ecclesiastical outlook created by the World Council is that Protestants no longer justify their disunity by saying that they all nonetheless belong to the "invisible church"-the concept of a band of Christian brothers united by baptism and faith but no outward ties. Today, he says, "all churches are aware that a unity that cannot be grasped is just as unbiblical as a faith that is kept hidden. It has now also become impossible to believe that the Western-European type of Christendom is the definite and normative form of Christian life...

Author: /time Magazine | Title: The World Council: The Unifying Dutchman | 12/9/1966 | See Source »

...Christmas buying usually begins in mid-November, but this year it has not begun yet. The nation of shopkeepers grumbles that sales of television sets are down more than one-third from last year, and sales of autos are down more than onequarter. These are a few of the outward results of Prime Minister Wilson's program to achieve national economic strength through deflation. And the indications are that the Prime Minister has given his country too big a dose of austerity...

Author: /time Magazine | Title: Britain: Still Freezing | 12/9/1966 | See Source »

...freely given by the church, and in much of Europe the practice has been observed by hardly anyone but the clergy. While declaring that abstinence was no longer binding under pain of sin, the bishops urged the faithful to preserve the custom, particularly during the Lenten season, as "an outward sign of inward spiritual values...

Author: /time Magazine | Title: Roman Catholics: Democracy for Bishops | 11/25/1966 | See Source »

Babe's direction emphasizes Schroeder's cage. Actors unashamedly play with their backs toward the audience, or careen outward against the flexible but unyielding cagework. All movement in the cage is taut and restricted...

Author: By George H. Rosen, | Title: The Victors | 11/18/1966 | See Source »

...like no other building in New York. Huge, cantilevered stories jut outward rather than recede, as in most commercial buildings. The ground floor is cut off from the street by a sunken sculpture garden, already dubbed "the Moat," spanned by a partially canopied bridge. As last week's opening-night throng of 4,000 quickly discovered, such architectural novelty has certain distinct advantages. Arriving in the pelting rain, the guests had no sooner ducked under the stone canopy than they discovered that the bridge ahead of them (see opposite) was bone dry, sheltered by the towering, projecting museum wings...

Author: /time Magazine | Title: Museums: Cliffhhanger on Madison Avenue | 10/7/1966 | See Source »

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