Word: over-the-top
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...pink (you guessed it) polyester dress and matching handbag promenading through her high school. Grunge boys gawk at her and a Ricki Lake look-alike lesbian (Alanna Ubach) fawns over her. One boy says, "Marcia Brady's harder to get into than a Pearl Jam concert." The over-the-top acting of the Brady family members (and Alice, too) saves the film, pushing it to unique comic heights...
...Channing whom one comes to see, and she exceeds expectations. Though she has played Dolly more than 4,000 times, her gawky, over-the-top performance is still heartfelt and honest, and the audience cheers her for it. There's more gravel in her baritone, but she is pitch-perfect and a mistress of timing. She can build a laugh into a roar by simply chewing. And her disdain is magnificent, contemplating a gift of "chocolate-covered peanuts -- unshelled...
...epidemic of cynicism passing for wit has overtaken fashion as designers work harder at being funny than at crafting beautiful clothes. There has always been a theatrical side to fashion, a love of the extreme. But lately the over-the-top gesture is usurping the real thing. A decent goal of female clothing design is to enhance a woman, but styles in the past few seasons have often made a grotesque distortion of the natural silhouette. Interruption in the form of extravagant collars, peplums and other superfluous add-ons to skirts has replaced any graceful flow. Having peaked several years...
...premiere of Mika Kaurismaki's Amazonian adventure of a film within a film, "Tigrero: A Film That was Never Made" and Jean-Pierre Melville's 1955 cop drama, "Bob Le Flambeur." Themes which seem to be running through the selections for this year's extravaganza are the over-the-top violence of some modern film makers as well as a look at how it was done 40 years ago. Adolescents seem to form the basis of many of the film's plots (including "Je m'appelle Victor," which stars the infamously outlandish Jeanne Moreau). And with the screening of Robert...
Ayckbourn has placed the action on three sets that fill the RSC's small stage and position the actors mere feet, if not inches, from the audience as they portray over-the-top derangement. All are good, and the two nuttiest -- Gary Whitaker, as the youth who comes to believe he is an alien, and Brenda Blethyn, as the neglected wife who regresses into toddlerhood -- rip open psychic dungeons to unleash dragons of despair...