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Word: overactings (lookup in dictionary) (lookup stats)
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From their "For Non-Blacks" bench, the two white figures ogle after Bridget, whom they call an "African princess." With their spirited readings of such lines as "Oooohwhee!!" and "I hears you," Barr and Chavez consistently overact, and their larger-than-life gestures and exaggerated Southern accents make them offensive caricatures...

Author: By Abigail M. Mcganney, | Title: Harvard Theater | 4/24/1987 | See Source »

...attention to detail, the film creates a sense of authenticity that captures the flavor of the era. More importantly, though the actors remain nameless throughout the film, they have little difficulty establishing and altering identities as time progresses. And while the lack of dialogue unavoidably causes the cast to overact, in virtually every case the actors have no trouble striking the proper balance between character and caricature...

Author: By David H. P. pick, | Title: Quiet on the Set | 4/20/1984 | See Source »

...draws bad? Bakshi's characters have ill-defined noses and chins, they shrug and dislocate a shoulder, they sing and recede into Peter Max poster-haste. Their gestures and voices are grossly exaggerated; they all seem to have gone to Actors Studio and learned only to overact. They are Bakshi's image of America: searching for archetypal dreams, living out clich...

Author: /time Magazine | Title: Cinema: Punk Fantasia | 4/6/1981 | See Source »

Miller, speaking after a one-year trip through China, said that the tendency in Chinese theater to "overact" and play to an audience was the biggest difference between Chinese and Western theater. He added, however, that there seems to be a fusion taking place of this "presentational method" with a "more realistic Western method," in which actors work with the "fourth wall...

Author: NO WRITER ATTRIBUTED | Title: Miller Says Chinese Theatre Flourishes in Popular Rebirth | 10/3/1979 | See Source »

...almost solely on Arnolphe's facial expressions upon hearing Horace's descriptions of the ups and downs of his attepts to woo Agnes. Toope has the energy to play Arnolphe, but little of the control and pacing. He succumbs to the temptation--so strong in Moliere's plays--to overact. He rants too much, usually beginning his long monologues too vehemently and maintaining the same tone throughout. This inevitably becomes tedious. His grimacing is equally overdone. Toope has a face that rivals Jerry Lewis's for its malleability. He abuses this asset, however, and often seems to forcing his face...

Author: By Max Gould, | Title: Muddling Moliere | 4/10/1979 | See Source »

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