Word: overboard
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...trickle of water distilled in a pressure cooker, the crew reached Capetown so weak that it took twelve men to lower and stow the big, billowy spinnaker. Between Capetown and Sydney the skipper of a French yawl and a British crewman on an Italian vessel were lost overboard in storms, and a Mexican boat suffered a knockdown. A British sailor drowned east of Sydney when he lost his footing and fell into the frigid ocean...
...glamour entries were not the only ones in trouble. Beyond the Cape of Good Hope, the "roaring forties" justified their ill repute. Italy's Tauranga lost a crewman to the angry sea, and Dominique Guillet, captain of the French yawl 33 Export, was tossed overboard and lost when his safety harness snapped during a squall. Then came the terrifying moment when heavy seas rolled the Mexican ketch Sayula II so far her masts were deep under water. "There was no warning," recalls Crewman Keith Lorence. "Suddenly there was a big crash and the lights went out. She righted herself...
...STORY is of a search, of course, of someone always heading somewhere else. "Kimberly always had to go overboard," Harley says. "She kept trying to get into the center of life and kept getting let down by it." The winter of 1968-69, Kimberly was in Ann Arbor, and it was there that she lost herself if she had not sometime before...
...handsome small primer on sailing that is also a model of brevity, clarity and simplicity. Starting with the Bernoulli effect (which explains how sailboats move to windward), the book ends with anchoring, having passed through everything from knots to points of sail, from rigging to docking, from man-overboard drills to the rough-weather practice of heaving to. On small craftsmanship and sheer draftsmanship Adkins is hard to beat...
...whole, the cast is uniformly strong. Lines are delivered with consistent wit and understanding and all the characters are well-conceived. Although some of them go slightly overboard and become too heavy handed--particularly in the opening and closing scenes--this is a weakness more than compensated for by the quality of other performances. Richard Hope, a bull-headed, red-nosed, raucous Sir Toby Belch, dominates the comic scenes, but his presence is well supported by Linda Dobb's sharp Maria and Locke Bowman's fussy Sir Andrew. Sunny Tufts carries off the difficult part of Viola with grace...