Word: overearnest
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...current remakes are dark and violent. Ninja Hattori-kun (Hattori the Ninja)?based on a 1960s comic and 1980s cartoon of the same name?comes out in August and stars Shingo Katori, of the popular boy band SMAP, as an overearnest ninja who moves from a feudal village to modern Tokyo, where he serves a nine-year-old master. Hattori speaks in outdated formalities, struggles to maintain the ninja code of self-concealment in the crowded city, and ends up in all sorts of trouble. The other big-ticket remake now in the works is Tetsujin 28-go (Iron...
Despite the occasional tendency to be overearnest in his analysis of certain events, Crouse has a gift for constructive, compassionate criticism. He shows a willingness to fraternize with the boys on the bus, to understand them on their own terms, but it is his trenchant criticism of the institution of which they are a part that makes this book superb...
Notions of this sort were popular in Britain a decade ago. As to the present British view of America, Mrs. Cooper describes it as follows: "American scholarship is condemned as prolix, overearnest and trivial. The only genuine art form is jazz, produced by an oppressed minority. Most Americans are bores; nice people, quite often, but boring nonetheless. A first degree from an American university is worthless; an American Ph.D. degree in any nonscientific subject is laughable...
Jazz Sermon. Somehow, the shock is not shocking. The evil act. which should dominate the book, is not made really believable. The last chapters of the novel have the faintly embarrassing tone of a sermon in jazz language attempted by an overearnest cleric. The tormented murderer asks: "Why is it that if we could all learn to play together the way we did-why is it we couldn't learn to live together?" The narrator's sanctimonious reply: "Woody, if we could-even between us-answer that simple question-seemingly simple-we could turn this into...
...pitfall of TV culture worship. It occurred to no one to point out that chamber music was returning to the living room, where it started, and to stage the presentation with informality befitting four musicians playing for their own enjoyment. Instead, in its grave, concert-hall atmosphere and the overearnest tone of introductions by Composer Norman Dello Joio, the TV men presented the music as if it were spinach-very good for you, but rather forbidding...
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