Word: overhead
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Dates: during 1960-1969
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...were hopping around up there, trying to figure out what they [Turner Joy] were shooting at. We fired a lot of rounds, but it was strictly a defensive tactic." It could also have been a malfunction on the radar screen. Aircraft from the carriers Ticonderoga and Constellation were overhead by this time and saw nothing much either. However, four seamen aboard Turner Joy and one man aboard Maddox did report seeing silhouettes of a ship, and sailors said they saw a searchlight stab momentarily through the darkness. There were also sonar reports of as many as 22 torpedoes, though critics...
...Pilgrim features "Agony of Love" and "Wonderful World of Girls"--for "broad minded adults with young ideas." A gaudy poster for the first film proclaims it has been "banned over half the world!" If the other half should seek revenge, a familiar yellow and black sign hung just overhead offers some solace: "Fallout Shelter, Capacity...
...corner between the Boston & Maine Railroad's potato shed and the Hoosac piers. The Hon. Frank E. Mullen Express-way, a big green steel structure, zooms over part of the neighborhood, the Everett-Forest Hills Elevated zooms over another part. Every two or three minutes an MBTA train passes overhead and the whole neighborhood rattles and shakes. In the middle of the neighborhood is a dirty, unkempt, little, asphalt-paved park dedicated to the memory of a Congregational minister who settled there...
...great is the cost of lawyers' fees and overhead that it takes an estimated $2.20 in premiums and taxes to get $1 to an accident victim. (Blue Cross delivers $1 in benefits for $1.07.) Nor is inefficiency the only drawback of the ponderous system. Although only 5% of auto cases ever reach trial, they still pre-empt about 65% of the nation's civil-court calendars. It now takes 2½ years to get a civil case tried in most cities...
...lighting, designed by Bennington and executed by a Loeb team, didn't do much to help. For the most part, the dancers were clumsily spotted by pools of light cast from above. Thus foreshortened from overhead, the desired illusion that the dancer's motions cut through space was difficult to sustain. Instead, performers often looked as though they were progressing from one focus to another. Only two choreographers. Catherine Stern in Personna and Wendy Summit in Void tried different lighting. In Personna a shaft of light was thrown from stage left like a flashlight beam. In contrast Void was nullified...