Search Details

Word: overlaid (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...Cart Man uses few words, The Story of an English Village (Atheneurm; $7.95) is totally mute. Still, John S. Goodall's watercolors are eloquent enough to carry the progress of a British town from medieval beginnings to its present state. In other hands, the use of half pages overlaid on full ones might be a gimmick. But Goodall's visual narrative is so controlled, and his costumes and customs so accurate, that history assumes a personality. Moving by lively steps, it arranges hemlines and coats, advances from midwives to doctors, from town criers to village schools...

Author: /time Magazine | Title: Books: A Child's Portion of Good Reading | 12/3/1979 | See Source »

...nerve when the real dimensions of the psychological theme loom before him. Rummaging through the props closet of King of Hearts and One Flew Over the Cuckoo's Nest, Tavernier merely dusts off a confusing collection of cliches. Most of the film has an aura of impenetrable mystery overlaid with a veneer of hastily added political significance. The whole production reeks of a talented artist lost in the complexities of a difficult subject. As the film progresses. The subterfuges that Tavernier resorts to become embarrasingly obvious...

Author: By Deirdre M. Donahue, | Title: Gross and Stupid | 10/4/1979 | See Source »

...from the self-consciousness and media-play of Pop. They resemble, as the late Mark Rothko once said, "walk-in Hoppers," sculptural equivalents to the world of that American master, with its nocturnal bars and waiting figures. Segal's tableaux have a flavor of the '30s-overlaid, now and then, with a sharp erotic curiosity. Instead of the irony of a '60s Warhol or Lichtenstein, one is treated to an unremitting earnestness, a moral concern with the voids between people and the circumspectness of their gestures. It is a somber sight, this "populist...

Author: /time Magazine | Title: Art: Invasion of the Plaster People | 8/27/1979 | See Source »

...narrator, played his first solo directly after his A string snapped. His stint as narrator, singing "Captain Walker," "Amazing Journey" and "Sally Simpson" were all acceptable, if not spectacular. John Arimand, on electric and slide guitar played a solid lead throughout the show. As the pinball wizard he overlaid his own lead with a rendition of "Wizard" that was, fortunately the Daltry, not the Elton John interpretation. Chad Balch, on drums, had perhaps the hardest act to follow. After all, Keith Moon will stay dead an awfully long time. He, and the rest of the band, Al Halliday on keyboards...

Author: By Thomas M. Levenson, | Title: One More For Keith | 5/2/1979 | See Source »

...never eaten a Big Mac." He has built no big commissions, so his intentions read best in his houses, most recently in a ski lodge at Aspen, Colo. It is a stew of historical references: "An Art Nouveau grandfather clock with arts-and-crafts overtones," says Venturi, and overlaid with suggestions of tree house, pagoda and the intimate precision of the Finnish master Alvar Aalto. Outside, it is an aggressive little building, with its oversize dormer windows, tight walls and thick compressive hat of a roof. Inside, the Mission style takes over, providing an enveloping timber womb in the form...

Author: /time Magazine | Title: Doing Their Own Thing | 1/8/1979 | See Source »

| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | Next