Word: overlong
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Dates: during 1950-1959
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Cockiness for Caution. Congress' who-cares sentiment toward Ike-the-domestic-leader blossomed during the "hair-curling" Humphrey flap and the budget fight last February, as the White House delayed overlong in taking a firm stand for Administration policies (TIME, April 22). The House, including many a Republican outside the party's Old Guard, happily zeroed in on one of Eisenhower's favorite projects, the U.S. Information Agency, sliced its budget by half. The Senate crippled the Administration farm program (but rallied remarkably when Ike stood and fought for foreign...
...devout. Her ample breasts and hips hark back to primitive man's fertility figures; her divine power is shown by her effortless grace as she sways in the dance, oldest Indian image of the gods and nature in its creative aspect. The goddess indicates by her overlong eyes, high-arched brows and attenuated fingers, touching in prayer or greeting, the inner spiritual tension meant to guide the viewer in his devotions. For the Indian sculptor, such works of art were a combination of ritual and magic that made his craft a profoundly religious calling. Says Philadelphia's Indian...
...without its good points: the cinema's Nancy Olson is almost as engaging as she is attractive, and Tom Ewell, though at times the quivering slave of direction, has always the wonderful look of an oaf with charm or a camel with problems. But too often the play-overlong to begin with-tends to spell out every last word where it should not even finish the sentences...
...Secretary of State, Ike believes no man better qualified than John Foster Dulles. Although surgeons have reported that Dulles' operation last fortnight was successful and that a cancer was properly excised, there was speculation that Dulles might bow out if-contrary to expectations-he found himself overlong in regaining his strength. Mentioned as possible successors...
Though the plotless play is overlong and sometimes cumbrous and clumsy, these weaknesses-as not often in O'Neill -have their value. The repetitions, for example, are in character, as coming from broken-willed people with a neurotic need for the solace or savagery of words. The plotlessness is the measure of their impotence. The play's language-merely straightforward and blunt, except where the self-dramatizing old actor and the word-conscious young writer empurple it -has in the theater far more trenchancy than the half-poetized prose so frequent in O'Neill. Even the lengthiness...