Word: overlong
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Dates: during 1960-1969
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Like many sequences of this contradictory movie, the primate prologue is overlong and repetitious. Still, it serves to introduce the film's key character: the shining oblong, a mass of extraterrestrial intelligence that supposedly has been overseeing mankind since the Pliocene age. Now, in the 21st century, the mass has been identified by scientists, who have traced its radio signal back to Jupiter. A spaceship, Discovery I, is dispatched to that remote planet. Aboard are two conscious astronauts (Keir Dullea and Gary Lockwood) and three hibernating scientists sealed like mummies in sarcophagi. Also on board is Hal, a computer...
Long & Short. The illegitimate daughter of a pretty Jewish Dutch milliner turned Parisian courtisane, Sarah was a sickly, cranky and exceedingly homely child. Never in her life, in fact, did anyone suggest that she was beautiful. Her hair was a reddish-blonde mop, fuzzy and unruly, her nose overlong, her face hollow-cheeked and colorless, and she always emphasized her pallor by slathering on white powder. In an era when the feminine ideal was a dimpled and cushiony Venus, she was skinny as a slat. "An empty carriage pulled up at the stage door and Sarah Bernhardt got out," said...
...survivor of the beat generation croaks his way through one of his better-known works, a litany to his mother and to his own maturation process ("Once man disagreed with my opinion of the cosmos I was lost"). While various vignettes from a misery-filled family album are moving, overlong reels of domestic dreariness are merely that-dreary...
...Battle of Algeria, Gillo Pontecorvo's earnest, overlong semi-documentary about the bitter struggle for Algerian independence, impressed the judges so much that they awarded it the festival's Gold Lion, even as it outraged the touchy French. Fahrenheit 451 earned quieter but more general appreciation. Directed by France's gifted Francois Truffaut (Jules and Jim) and blessed by the presence in the leads of Julie Christie and Oskar Werner, Fahrenheit is a Ray Bradbury story that takes a disturbing look at a future world in which the printed word is forbidden and every last book...
...studied inarticulacy--a consistent deverbalization--which marks good and bad songs alike on Blonde on Blonde. Emblematic of the present wordlessness stands the cardboard jacket, filled with snapshots where past albums abounded in liner notes (often awkward but sometimes incisive). The songs themselves, by profuse blues repetitions and by overlong choruses, generally blunt the listener's attention to the language of the songs...