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Equally clumsy is the film's direction, the work of Christian Marquand. Every sequence is overlong and overdone. The editing is helter-skelter, with some scenes totally incomprehensible. The color is shoddy and dank; the musical score is too loud and irrelevant. Worst of all, it is highly questionable that Marquand even bothered to direct any of his cast...

Author: By Frank Rich, | Title: Candy | 1/10/1969 | See Source »

...which lasts for the rest of the movie, wrecked autos, hideously dismembered bodies and senseless violence meet them at every turn. There are a few irrelevant respites, such as a Mozart sonata on the sound track while the camera pans around a farm at sunset, and a couple of overlong political harangues on black revolution and the war in the Mid dle East. But always the film turns back to the violence-on the road and off it-that everyone begins to take as a matter of course. The distracted hus band does not even bother to look around while...

Author: /time Magazine | Title: New Movies: Society as a Slaughterhouse | 11/1/1968 | See Source »

...projects, Kander and Ebb's biggest difficulty this time is their occasional loss for a solid song idea.) Perhaps if they find the right approach for a Zorba number in the first act, the burden on the book would be eased--thereby permitting some necessary cutting in this now-overlong...

Author: By Frank Rich, | Title: Zorba | 10/18/1968 | See Source »

...offer little more than a disordered compilation of rough notes"); his unconscious is his only guide. Hence, even before Worthington gets to recall key cameos of himself-as a boy who once foolishly stole, as a young man who was once seduced by an older woman-there are overlong, superficial ruminations and cop-out digressions on the mechanics and nature of memory itself. Finally, in due meandering course, Worthington remembers a first wife who two-timed him and a second wife who two-timed life by committing suicide. But mostly he prefers to muse about aristocratic ancestors or recall some...

Author: /time Magazine | Title: Books: Cozzens Against the Grain | 8/30/1968 | See Source »

...horde of wealthy patrons who normally flock to the chic pre-opening parties in the palazzos along the Grand Canal. Instead, the opening of the 34th Venice Biennale had become a social and artistic shambles. This dubious achievement was yet another milestone in this spring's overlong marathon of student rebellion...

Author: /time Magazine | Title: Exhibitions: Violence Kills Culture | 6/28/1968 | See Source »

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