Word: overlook
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Dates: during 2000-2009
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...charges of embezzling $600,000 from the state after he offered his jurors cushy state jobs. Such a grand inheritance of corruption can scarcely be rivaled in any other state, from sea to shining sea, and it’s important not to overlook the good men and women (well, mainly men) who made it all work...
...they need - with money from the TARP, the Treasury or the Federal Reserve. In fact, the bill has language specifically authorizing the President to take money from the TARP, a provision the Bush Administration - which has steadfastly opposed using such funds for the automakers - has presumably chosen to overlook...
...praise for Shinseki, 66, needs to be calibrated. While he believed that more troops were needed in post-invasion Iraq, he didn't believe it strongly enough to lay down his four stars and resign. His supporters tend to overlook just how meek his public challenge to Rumsfeld was. He never volunteered it. Senator Carl Levin had to extract it from him, slowly and painfully, during a Senate hearing. That's when, in February 2003, Shinseki said he felt that "something on the order of several hundred thousand soldiers" would be needed. Forty-eight hours later, it was the derisive...
...would “make her seem more interesting.” Another friend selected a more difficult science Core for fear of what “Dinosaurs” would look like on her academic record. The irony of focusing on final academic GPA is that as students overlook their personal interests, they are likely to become more disenchanted with academics in general and less intellectually curious in the process...
...novelties, that film was a headache, a neurotic monologue whose paranoid refrains only compounded the pretensions of its obnoxiously self-conscious narrative loop. But to say that “Synecdoche, New York” revisits, or even improves, upon the more problematic aspects of that film is to overlook the sheer depth and ambition of the creative vision for which it strives. More to the point, “Synecdoche, New York” has a place in the genealogy of Kaufman’s work only insofar as it takes the personal context of those earlier films...