Word: overplaying
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Dates: during 1960-1969
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...MISER. Robert Symonds plays Harpagon in this revival of Moliere's comedy at the Lincoln Center Repertory Theater. His tendency to overplay is precisely right for this petty monster...
Robert Symonds brings this miserable creature to robustious life in his best performance yet with the Lincoln Center Repertory Theater. Although he is always an actorish actor, his tendency to overplay is precisely right for this petty monster of farce. Skittering about like a bespectacled magpie, Symonds' Harpagon is a sprite of the cashbox, an imp of interest rates, a tooth-clacking, raggedy-cloaked, stringy-haired witch of usury. To see him is a pleasure. To see him undone is a delight...
...James Valentine are entrusted two small roles. As Hermia's father Egeus, he has been directed to overplay disastrously by means of a wheezing delivery. A little of this goes a long way, but he turns the theatre for a while into a vertiable asthma clinic. He also turns Philostrate, master of the revels, into an amusingly effete redhead...
...James Valentine are entrusted two small roles. As Hermia's father Egeus, he has been directed to overplay disastrously by means of a wheezing delivery. A little of this goes a long way, but he turns the theatre for a while into a vertiable asthma clinic. He also turns Philostrate, master of the revels, into an amusingly effete redhead...
Warhol's ironic attitude conveys to us that he is above the level of everything he films. In The Chelsea Girls, Warhol shows a condescending attitude todard his characters, illustrated by his willingness to let them overplay and caricature themselves. That is why the camera repeatedly zooms in on the jiggling breasts of the fat lesbian while she phones-in her order for 300 caps of acid. In her way, she's very funny. Warhol lets you enjoy her as long as you give him the credit for seeing her first...